Tag Archives: 1930s

In Gay Madrid (1930) Robert Z. Leonard, Ramon Novarro, Dorothy Jordan, Lottice Howell, Drama, Musical, Romance

In Gay Madrid (1930)
Ricardo, a young law student in his home town of Madrid, is a carefree playboy who loves nightclubs and courting pretty girls. His father hopes to instill a more serious attitude in his son by transferring him to a school in the rural town of Santiago. At Santiago, his father’s old friend is to be his guardian. When Ricardo arrives at Santiago he joins a fraternity, and continues his carefree lifestyle while serenading and courting his guardian’s daughter, Carmina. But when Ricardo’s former girlfriend Goyita arrives for a visit, events take a serious turn …
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Aldeia da Roupa Branca / The Village of White Clothes (1939) Chianca de Garcia, Beatriz Costa, Manuel Santos Carvalho, José Amaro, Comedy

Aldeia da Roupa Branca AKA The Village of White Clothes (1939)
Gracinda, a young laundry washer, lives with her godfather, “Uncle” Jacinto, and together they run a family business, doing the laundry for residents of Lisbon in their small village in the outskirts of that city (Canecas). Unfortunately, the business is not going very well, but that changes when Gracinda decides to go to the city to try to convince Chico, “Uncle” Jacinto’s son, with whom she is in love, to return to the village and give new life to the business. The village is preparing for the annual festivities and a dispute erupts between “Uncle” Jacinto and his business rival , the widow Quiteria, when each of them invites different bands to play at the same time during the party and dances.
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Special Agent (1935) William Keighley, Bette Davis, George Brent, Ricardo Cortez, Crime, Drama

Special Agent (1935)
Newspaperman Bill Bradford becomes a special agent for the tax service trying to end the career of racketeer Alexander Carston. Julie Gardner is Carston’s bookkeeper. Bradford enters Carston’s organization and Julie cooperates with him to land Carston in jail. An informer squeals on them. Julie is kidnapped by Carston’s henchmen as she is about to testify.
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You Can’t Cheat an Honest Man (1939) George Marshall, W.C. Fields, Edgar Bergen, Charlie McCarthy, Comedy

You Can't Cheat an Honest Man (1939)
Larson E. Whipsnade runs a seedy circus which is perpetually in debt. His performers give him nothing but trouble, especially Edgar Bergen and Charlie McCarthy. Meanwhile, Whipsnade’s son and daughter, Phineas and Vicky, attend a posh college. Vicky turns down her caddish but rich suitor Roger Bel-Goodie, but changes her mind when she learns of her father’s financial troubles. Will Vicky marry for money or succumb to the ventriloqual charm of Edgar Bergen? Will Whipsnade’s Circus Giganticus make it over the state line one jump ahead of the sheriff?
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The Robin Hood of El Dorado (1936) William A. Wellman, Warner Baxter, Ann Loring, Bruce Cabot, Biography, Drama, History

The Robin Hood of El Dorado (1936)
In the 1840’s Mexico has ceded California to the United States, making life nearly impossible for the Mexican population due to the influx of land and gold-crazy Americans. Farmer Joaquin Murrieta revenges the death of his wife against the four Americans who killed her and is branded an outlaw. The reward for his capture is increased as he subsequently kills the men who brutally murder his brother. Joining with bandit Three Fingered Jack, Murrieta raises an army of disaffected Mexicans and goes on a rampage against the Americans, finally forcing his erstwhile friend, Bill Warren, to lead a posse against him.
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The Dark Angel (1935) Sidney Franklin, Fredric March, Merle Oberon, Herbert Marshall, Drama, Romance

The Dark Angel (1935)
Kitty Vane, Alan Trent, and Gerald Shannon have been inseparable friends since childhood. Kitty has always known she would marry one of them, but has waited until the beginning of World War I before finally choosing Alan. Gerald graciously gives them his blessing. Then, Gerald and Alan go to war. Angered over a misunderstanding involving Alan and Kitty, Gerald sends Alan on a dangerous mission that will change all their lives forever.
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Here’s to Romance (1935) Alfred E. Green, Nino Martini, Genevieve Tobin, Anita Louise, Comedy, Musical

Here's to Romance (1935)
International singing sensation Nino Martini made his American film debut in the Jesse L. Lasky production Here’s to Romance. His career bankrolled by the beneficent opera diva Mme. Schumann-Heink (playing herself), singer Nino Donelli (Martini) hits the big time, and as a bonus falls in love with his leading lady Lydia Lubov (Anita Louise). For a while, however, their romance is nearly loused up by wealthy, self-centered art patrons Kathleen and Emery Gerard (Genevieve Tobin and Reginald Denny). Also complicating matters is amorous ballerina Rosa (Maria Gambarelli), but she leaves the scene after turning down both Nino and Emery. Often listed as a 20th Century-Fox release, Here’s to Romance was actually one of the last Fox releases before the merger with 20th Century.
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Frankenstein (1931) James Whale, Colin Clive, Mae Clarke, Boris Karloff, Horror, Sci-Fi, Fantasy

Frankenstein (1931)
This iconic horror film follows the obsessed scientist Dr. Henry Frankenstein (Colin Clive) as he attempts to create life by assembling a creature from body parts of the deceased. Aided by his loyal misshapen assistant, Fritz (Dwight Frye), Frankenstein succeeds in animating his monster (Boris Karloff), but, confused and traumatized, it escapes into the countryside and begins to wreak havoc. Frankenstein searches for the elusive being, and eventually must confront his tormented creation.
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Another Language (1933) Edward H. Griffith, Helen Hayes, Robert Montgomery, Louise Closser Hale, Drama

Another Language (1933)
Given the usual pedestal upon which mothers were placed by MGM head Louis Mayer, it’s all the more amazing that Mayer gave the go-ahead for Another Language. Louise Closser Hale plays a domineering matriarch who controls the lives of her grown, married sons, using a fabricated heart condition to keep them in line. Helen Hayes marries youngest son Robert Montgomery, only to sit by in mute horror as Mother exerts her authority over her timorous offspring at a weekly family get-together. At the end, only Hayes and Montgomery’s nephew John Beal have the courage to break the apron strings, but not without the formidable opposition of Monster Mom. Based on the Broadway play by Rose Franken, Another Language represented the screen debut of Margaret Hamilton, recreating the supporting role she’d played on stage.
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Born to Dance (1936) Roy Del Ruth, Eleanor Powell, James Stewart, Virginia Bruce, Musical, Comedy

Born to Dance (1936)
Sailor Ted meets at the Lonely Hearts Club of his friend Gunny’s wife, Jenny, a girl, Nora Paige, and falls in love. Nora wants to become a dancer on Broadway. Ted rescues the Pekinese of Lucy James, a Broadway star during a public relations campaign on his submarine. Lucy falls in love with Ted, and Ted is ordered by his Captain to meet her in a night club, in spite of the fact that he has a date with Nora. Nora, who lives with Jenny and her and Gunny’s daughter, doesn’t want to hear anything from Ted, after she spotted a picture of Ted and Lucy in the morning paper. Lucy convinces her manager Dinehart to stop the press campaign and tells him that she would leave the production, if another photo or article of her and Ted is published. Nora has become her understudy, and she begins to think her behaviour to Ted over. Suddenly she is fired after Dinehart told her to dance a number Lucy James called undanceable. But when Ted is told the whole story, he knows what to do.
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The Front Page (1931) Lewis Milestone, dolphe Menjou, Pat O’Brien, Mary Brian, Comedy

The Front Page (1931)
Hildy Johnson, newspaper reporter, is engaged to Peggy Grant and planning to move to New York for a higher paying advertising job. The court press room is full of lame reporters who invent stories as much as write them. All are waiting to cover the hanging of Earl Williams. When Williams escapes from the inept Sheriff, Hildy seizes the opportunity by using his $260 honeymoon money to payoff an insider and get the scoop on the escape. However, Walter Burns, the Post’s editor, is slow to repay Hildy back, hoping that he will stay on the story. Getting a major scoop looks possible when Hildy stumbles onto the bewildered escapee and hides him in a roll-top desk in the press room. Burns shows up to help. Can they keep Williams’ whereabouts secret long enough to get the scoop, especially with the Sheriff and other reporters hovering around?
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The Champ (1931) King Vidor, Wallace Beery, Jackie Cooper, Irene Rich, Drama, Family, Sport

The Champ (1931)
Dink Purcell loves his alcoholic father, ex-heavyweight champion Andy “Champ” Purcell, despite his frequent binges, his frequent gambling and their squalid living conditions. And there’s nothing Andy wouldn’t do for Dink. When Andy wins a race horse gambling, he gives it to Dink and they race it at a Tijuana track. There, Dink meets Linda Carleton, a race horse owner herself, and they have an immediate rapport. But Linda’s rich husband sees Andy and realizes Dink is Linda’s son, who she gave up when she and Andy divorced. Andy is bribed $200 to allow Dink to visit with Linda, but refuses to allow Dink to spend six months with the Carletons. When Andy loses the horse gambling and winds up in jail after a drunken tirade, he realizes Dink’s place is with his mother. Dink tearfully goes but sneaks out and returns at his first opportunity, filling a depressed Andy with a desire to make good. So Andy goes into training after his managers arrange a boxing match with the Mexican champion.
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