Tag Archives: 1930s
The Country Doctor (1936) Henry King, The Dionne Quintuplets, Yvonne Dionne, Cecile Dionne, Drama, Romance
Nana (Anna Sten) is a young woman who dreams of success in the entertainment world. For this reason he works tirelessly in Paris. One day he has a stroke of luck, and admirer decides to create a musical revue where Nana is the only star. This will launch to fame, and soon finds himself surrounded by numerous fans, who are eager to meet her in person. Among his admirers are veteran Grand Duke Alexis, and a young gallant who is soon starting a romance. But the older brother of his mistress also walks in love with Nana, and jealousy get in his way. The Grand Duke learns Nana’s relationship with the young lieutenant, and intended him to a dangerous site in Algeria. Nana, desperate and depressed by the Grand Duke, leaving the show and takes refuge in the arms of the elder brother of her former lover. Some time later, he returns to Algeria to fight the Prussians.
Komedie om geld / The Trouble with Money (1936) Max Ophüls, Herman Bouber, Rini Otte, Matthieu van Eysden, Comedy, Drama
Un carnet de bal / Dance Program (1937) Julien Duvivier, Marie Bell, Françoise Rosay, Louis Jouvet, Drama
After the death of her husband, Christine realizes she has possibly wasted her life by marrying him instead of the man towards whom, in her youth, she had a stronger inclination. To overcome these dreary thoughts, she decides to find out about him and the other men who danced with her during a ball that was a turning point in her life, many years ago. She pays a visit to those forgotten acquaintances one after the other; Christine is not only surprised to see how they have fared, but also discovers the impact she had, unknowingly, on the feelings and the destiny of these persons.
Die verliebte Firma / The Company’s in Love (1932) Max Ophüls, Gustav Fröhlich, Anny Ahlers, Lien Deyers, Comedy
The story follows a movie crew who is filming a musical in a small and idyllic alpine village. After their temperamental leading lady drops out of the film, they decide to replace her with the village’s young post office clerk Gretl, who returns to Berlin with them. There she has to struggle with the movie’s all-male crew, who all try to woo and win her.
Based on the farcical stage play written by Pulitzer Prize-winning* writer Elmer Rice, Oh, Sailor Behave! is a movie Musical with a split personality. Nanette Dodge (Irene Delroy) falls for newspaper reporter Charlie Carroll (Charles King) who is on assignment in Venice to land an interview with Romanian General Skulany (Noah Beery). Our couple is split apart by a pair of storylines – Nanette tries to woo a Russian prince (Lowell Sherman) who is blackmailing her sister, while Charlie, following a lead to the general, finds himself Romantically involved with Kunegundi (Vivien Oakland), “the general’s favorite.”
Cary, Shep, Bill, and Francis are pilots who have just, and only just, survived the First World War. They linger in Europe in the aftermath, drinking and ostensibly having fun, but pessimistic and flip about their futures, as each feels himself somehow lost and dead inside as a result of the horrors he’s experienced. They encounter a beautiful and vivacious girl, Nikki, and adopt her, not romantically but as a sort of mascot and light around which they can hover in hopes of regaining a sense of warmth and life. Nikki does her best to reinvigorate her new friends, but despite the seeming lightheartedness of their escapades, the shadow of the war can never be dispelled.
A party of yachting jet-setters visit French Saigon, where they meet lovely Manon deVargnes, a second-class citizen not allowed to leave the country due to her part-Oriental ancestry. When the others leave, playboy Bill Carey stays behind to woo Manon; but all his efforts to get her out of the country with him run into a brick wall. And Pierre Delaroch, her wealthy former admirer, waits for him to give up…
Escaping to England from a French embezzlement charge, widower Henry Scarlett is accompanied by daughter Sylvia who, to avoid detection, “disguises” herself as a boy, “Sylvester.” They are joined by amiable con man Jimmy Monkley, then, after a brief career in crime, meet Maudie Tilt, a giddy, sexy Cockney housemaid who joins them in the new venture of entertaining at resort towns from a caravan. Through all this, amazingly no one recognizes that Sylvia is not a boy…until she meets handsome artist Michael Fane, and drama intrudes on the comedy.