Tag Archives: 1920s

Prostitutka / Prostitute (1927) Oleg Frelikh, Olga Bonus, Mark Donskoy, L. Krasina, Drama

Prostitutka (1927)
“Prostitutka” (1927) is a Bolshevist silent rarity, unusual because of its subject matter, that being prostitution in the U.S.S.R. The world’s oldest profession requires a treatment both delicate and balanced, not an easy topic for a first time director like Herr Oleg Frelikh. Actually, this little known work was Frelikh’s only film as a director (prior to this, he had been an actor) and it’s a flawed but interesting effort.

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So’s Your Old Man (1926) Gregory La Cava, W.C. Fields, Alice Joyce, Charles ‘Buddy’ Rogers, Comedy

So's Your Old Man (1926)
Poor glazier Sam Bisbee has invented break-proof glass. He intends to show it off to a convention of automobile men. Due to a mixup his car is switched with another and his demonstration toss of a brick simply breaks the car’s windshield. On the way home he thinks a woman is trying to commit suicide and so prevents her. The woman is really Princess Lescaboura, who arrives in Bisbee’s home town looking for him.

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Miss Lulu Bett (1921) William C. de Mille, Lois Wilson, Milton Sills, Theodore Roberts, Comedy, Drama

Miss Lulu Bett (1921)
Wlliam deMille produced and directed Miss Lulu Bett, a film of extraordinary conviction and insight. It was then often the custom for unmarried women to lodge with family; thus we discover Miss Lulu in a boring Midwestern town, an exploited household drudge for her sister and her overbearing brother-in-law. In the course of the story (based upon the Pulitzer Prize play and novel by Zona Gale), Lulu evolves from slavery into an attractive and self-assured woman, prepared to make her own life. Revealed through wonderful performances and clever use of props, the characters are extraordinarily solid and involving.

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Lilac Time (1928) George Fitzmaurice, Frank Lloyd, Colleen Moore, Gary Cooper, Burr McIntosh, Drama, Romance, War

Lilac Time (1928)
All of those handsome young men in their flying machines are billeted in a field next to the Widow Berthelot’s farmhouse in France. Her daughter Jeannine is curious about the young men fighting for England in World War I and their airplanes. Then one of the aviators is killed. His replacement is Captain Philip Blythe who can’t help but notice Jeannine. When he lands the first time, she is standing in the middle of his “runway.” She makes a more favorable impression when he sees her later by the lilacs. When all of the young men depart on a mission, Blythe promises to return.

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