Une femme à sa fenêtre (1976) Granier-Deferre, Romy Schneider, Philippe Noiret, Victor Lanoux

Une femme a sa fenetre (1976)
On August 4, 1936, General Metaxas declared martial law in Greece. A union leader using the name Boutros is sought in Athens by Primoukis, a ruthless police leader. Boutros narrowly escapes and, early the next morning, jumps through the window of Marchese Margot Santorini, the wealthy Austrian-born wife of Rico, a penniless Italian diplomat and playboy. Margot is bored and without purpose: aiding Boutros’s escape invigorates her, and soon she is in love. The film briefly jumps to 1945 when Rico and Raoul (who assisted her out of love) meet in France to talk about her fate, and then jumps 30 years to Margot’s daughter’s visit to Greece to find out about her father.
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À ma soeur! / Fat Girl (2001) Catherine Breillat, Anaïs Reboux, Roxane Mesquida, Libero De Rienzo

A ma soeur! (2001)
A Ma Soeur! is a provocative and shocking drama about sibling rivalry, family discord and relationships. Elena is 15, beautiful and flirtatious. Her less confident sister, Anais, is 12, and constantly eats. On holiday, Elena meets a young Italian student who is determined to seduce her. Anais is forced to watch in silence, conspiring with the lovers, but harbouring jealousy and similar desires. Their actions, however, have unforeseen tragic consequences for the whole family.
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Submission of a Woman / Al calar della sera (1992) Alessandro Lucidi, Daniela Poggi, Gianluca Favilla, Paolo Lorimer

Al calar della sera (1992)
A woman seeks revenge against a depraved psychopath after surviving a harrowing sexual assault. Luisa and her husband Giorgio are preparing for a weekend retreat when their lives are turned upside down in the blink of an eye. Her husband savagely beaten while she and the babysitter watch in horror, Luisa discovers that her nightmare has just begun when the lecherous madman reveals his true intentions. At the end of the day Luisa is lucky to be alive. By the time she finishes with her attacker, he’ll wish he was never born.
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A Dangerous Profession (1949) Ted Tetzlaff, George Raft, Ella Raines, Pat O’Brien

A Dangerous Profession (1949)
Ex-policeman Vince Kane is a partner with Joe Farley as bail bond brokers, but retains his ties and friendship with the police and Detective Nick Ferrone. Ferrone picks up Claude Brackette, a brokerage clerk, as a suspect in the securities robbery in which a policeman was killed, and Kane goes with him when the detective searches Brackett’s apartment, and Kane finds that Brackett’s wife, Lucy, is his former sweetheart. She insists her husband is innocent and pleads with Kane to get him out on bail but she has only $4,000 of the $25,000 needed. A mysterious emissary puts up $12,000 and Kanes, over Farley’s protest, makes up the rest from the company’s money. Brackett is murdered after his release. For Lucy, Kane investigates and finds that Brackett had dealings with night club owner Jerry McKay and a hoodlum named Roy Collins. Suspecting McKay was in back of the robbery, Kane begins a campaign in which he himself behaves like a crook, and demands a heavy bride from McKay for his …
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Attack of the Puppet People (1958) Bert I. Gordon, John Agar, John Hoyt, June Kenney

Attack of the Puppet People (1958)
Deranged doll-maker Mr. Franz is deathly afraid of being left alone, so he creates a machine that can shrink humans down to only a few inches tall. He soon accumulates a troupe of shrunken prisoners whom he forces to perform for him and keep him company. When he shrinks his secretary Sally and her fiance Bob, the pair decide against spending their days as pint-sized playthings and try to find a way to escape and re-enlarge themselves.
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Black Market Babies (1945) William Beaudine, Ralph Morgan, Kane Richmond, Jayne Hazard

Black Market Babies (1945)
This George Morris story was based on an article that appeared in “Woman’s Home Companion” and later reprinted in “Reader’s Digest.” Eddie Condon, a two-bit racketeer, teams up with an alcoholic doctor, Judson, to set up a maternity home with free facilities to expectant mothers, with the proviso that the women sign away all rights to their newborns. The babies are then offered for adaptation to couples willing to make a substantial “contribution” to the home. Things go well for this borderline within-the-law business until a baby is still-born. Conden had already sold the baby for $5,000 and has no intention of returning the money, so he substitutes the child of the sister of his wife. There is a slip-up on the filing of the certificates and the District Attorney’s office gets involved.
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Abrir puertas y ventanas / Open Doors, Open Windows (2011) Milagros Mumenthaler, María Canale, Martina Juncadella, Ailín Salas

Abrir puertas y ventanas (2011)
Buenos Aires at the end of summer. Marina, Sofia and Violeta are alone in the family home after their grandmother, who had brought them up, has died. They have to come to terms with her death, each in her own way. Marina concentrates on her studies while looking after the household, whereas Sofia becomes obsessed by her appearance and goes out with friends. As for Violeta, she wanders around between bedroom and sitting room where, from time to time, she receives an older man. Discord, laughter, meanness, gestures of affection determine the rhythm of this period of uncertainty, until one day in autumn Violeta disappears without warning…
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