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Sam Dietz, the relentless police detective, returns to Los Angeles from a self-imposed exile to help the police solve another series of brutal killings committed by another crafty serial killer whom targets Dietz’s latest love interest.
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Maria (Lina Romay) is sentenced to life in prison for the murder of her sexually abusive father (Jess Franco). Upon her arrival at the prison, she meets the cold-blooded, sadistic wardress (Monica Swinn) and the spineless and equally sadistic Dr. Costa (Paul Müller). Together the two systematically torture and abuse the inmates, including Maria, who organizes a plan to rebel and escape. This ‘plot’ serves as an excuse for Franco to depict countless scenes of laughable violence and sordid sex, including lesbian trysts, rape, and female masturbation, with the director’s wild zoom lens performing close-up gynaecological examinations whenever possible.
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Detective Ulisse Moretti (von Sydow) is investigating a series of murders in Turin in 1983 known as The Dwarf Murders. The main suspect, a giallo novelist named Vincenzo de Fabritiis, turns up dead and the case is considered closed. However, seventeen years later, a similar series of murders begin and draw the since-retired Moretti back into the case. Moretti teams up with Giacomo (Stefano Dionisi), whose mother was murdered in the 1983 spree, to determine if de Fabritiis is still alive or was actually innocent of the crimes for which he was accused. As the murders continue, the investigating duo discovers that the murderer is arranging their murder to an old nursery rhyme about the killing of animals..
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Beverly Hills shrink Dr. Jonathan Brooks (Nick Cassavetes) seemingly has everything; wealth, a successful practice and a beautiful lawyer fiancée, Jennifer (Diana Barton). Brooks is helping his cop friend Harry Reams (Richard Roundtree) compile a psychological profile of a serial killer on the loose in L.A. Meantime, he starts treating an interesting new patient, Laura (Shannon Whirry), a shy woman who transforms under hypnosis into a completely different persona; the seductive Lana. A torrid affair takes place between the irresistible Lana and Brooks, but he gets more than he bargained for. Lana steals videotapes of ‘sessions’ the doctor has had with other patients and blackmails him with the damning evidence, while at the same time Harry Reams is getting closer and closer to identifying the serial killer.
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Kentaro is a lonely loser and geek. When he’s fired from his job, he also loses his dignity. At his lowest moment he goes out on the town to drink away his misery when he wanders into an abandoned building in the heart of the pleasure district. There he finds a pretty girl doll with skin so soft and warm to touch. Her skin is so lifelike that he can see the veins under the skin… but it is a doll without a heartbeat. In his muddled consciousness, the man sees the doll turn into a cyborg girl and save him from thugs. The doll becomes his guardian angel with a demonic twist as she fulfills his fantasies by becoming a cyborg girl, a swan-lake ballerina, and his girlfriend. This hallucinatory and erotic romance fulfills the man’s final erotic desires. Who is she really? And where will their romance lead them…?
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A raucous teen boy with a feminine face is teased everywhere, so his odd biker father dresses him as a girl and sends him to an all-girl school. The lad introduces himself as Sukeban, and a classmate, Michiko, takes him to after-school activities. Lessons on humility turn violent when a masked hatchet-wielding woman turns up. Jealousy, syringes of hormones, bare breasts, a blood bath, and more figure in the resolution.
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During the worst recorded rainstorm in the history of the Midwestern United States, armored truck drivers Tom (Christian Slater) and his uncle Charlie (Edward Asner) are collecting the money from the local banks affected by the rising flood waters. In the small town of Huntingburg, Indiana, which has been evacuated, Tom and Charlie drive into a ditch and become stuck, and Charlie calls dispatch to alert the National Guard. They are then ambushed by Jim (Morgan Freeman) and his gang of armed robbers, Kenny (Michael Goorjian), Mr Mehlor (Dann Florek) and Ray (Ricky Harris). Kenny accidentally shoots Charlie dead, as Tom gets away with the $3 million in cash and hides it in a cemetery…
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Sometime in the near future, set in an apocalyptic, dying world: Raoul and Raphaela, a young and arrogant upper class couple, are visiting an art exhibition of surrealistic paintings, hosted by a group of young anarchists in their bizarre Loft flat. After making love secretly in an empty back room, they suddenly find themselves caught by the aggressive Gang and being tortured both psychological and physical by their diabolical punk leader Furio, who blames “their likes” of being responsible for the war that destroys the earth.
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Seasoned ex-criminal is drawn into counterfeit money deal that turns into shooting spree. During the incident, undercover cop was killed and his sister is determined to find the killers.
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A middle-aged man is having problems trying to regain his sexual drive. He leaves behind his old life and tries to discover a simpler happiness through painting and meeting new friends. Wanting to save him from a sexless fate, his friend (director Carlos Tobalina in a supporting role) attempts to solve the mystery of his sexual shortcomings, through any means possible.
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Tinto Brass – The maestro of Italian erotica is back! Lies, subterfuge, betrayal and mischief – FALLO! is a collection of six stories based on the joys of sexuality and the eroticism of a new generation of women.
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Continuing his penchant for directing films in the characteristically Japanese genre he virtually created, director Takashi Ishii here presents yet another stylish rape/thriller. Nami is an attractive woman, and she loves her husband, who runs the real estate agency she works at. One day, during a rainstorm, a mysterious drifter stumbles into her and, following her on her way back to the office, asks for (and gets) a job from her husband, over her protests. Not long after that, Nami and the newcomer are trading amorous glances. When the drifter gets her alone in a model house, he rapes her on the floor. For some reason, this doesn’t offend Nami, and she encourages the socially backward man to take her to bed often. Eventually, the two of them decide to do away with her husband, despite the fact that Nami still loves him.
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An auditor comes into possession of an envelope containing prints and drawings which the British government is anxious to obtain and also a great many other people, all of whom try to get them from him by any means. He escapes many of the traps set for him by the villains, but is finally captured and is tied to an operating table where the gang leader is set to do some scalpel work on him.
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John and Laura Baxter are in Venice when they meet a pair of elderly sisters, one of whom claims to be psychic. She insists that she sees the spirit of the Baxters’ daughter, who recently drowned. Laura is intrigued, but John resists the idea. He, however, seems to have his own psychic flashes, seeing their daughter walk the streets in her red cloak, as well as Laura and the sisters on a funeral gondola.
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Bernhard Wicki’s astonishing The Bridge was the first major antiwar film to come out of Germany after World War II, as well as the nation’s first postwar film to be widely shown internationally, even securing an Oscar nomination. Set near the end of the conflict, it follows a group of teenage boys in a small town as they contend with everyday matters like school, girls, and parents, before enlisting as soldiers and being forced to defend their home turf in a confused, terrifying battle. This expressively shot, emotionally bruising drama dared to humanize young German soldiers at a historically tender moment, and proved influential for the coming generation of New German Cinema auteurs.
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