Le Voyou / The Crook (1970) Claude Lelouch, Jean-Louis Trintignant, Danièle Delorme, Charles Gérard, Crime, Thriller

Le Voyou AKA The Crook (1970)
When Simon (Jean-Louis Trintignant) is released from prison, he emerges with a bold kidnapping scheme. He enlists the help of an old cohort and his former lover, Martine (Christine Lelouch), to kidnap a young boy. The child’s father is an employee at a bank, and the three criminals blackmail the financial institution, demanding $1 million in ransom. Out of fear, the bank pays the sum, but the kidnappers may have bitten off more than they can chew.
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Deep Trap / Ham-jeong (2015) Hyeong-jin Kwon, Ji An, Han Sun Jo, Dong-seok Ma, Crime, Horror, Thriller

Deep Trap (2015)
Despite her will to become a mother, So Yeon cannot achieve her goal because of her husband’s uncooperative behavior. Even though he showed her no response, she tried many ways to reach pregnancy. Knowing her mind, her husband feels guilty for not being able to do anything more and then try to stay away from her and his remorseful conscience. As a last resort, So yeon finds an isolated restaurant on an isolated island. With the help of the restaurant’s owner, she draws a plan for her husband…
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Mes nuits sont plus belles que vos jours / My Nights Are More Beautiful Than Your Days (1989) Andrzej Zulawski, Sophie Marceau, Jacques Dutronc, Valérie Lagrange, Drama, Romance, Erotic

Mes nuits sont plus belles que vos jours (1989)
Lucas has invented a new computer language but at the same time he has been informed about his strange terminal illness during which he has been gradually losing his memory. Shortly after that he meets Blanche who acts as a medium in a bizarre traveling show. Dying Lucas follows her to the sea resort where they spend together several days and nights.
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A Woman’s Testament / Jokyo (1960) Kon Ichikawa, Yasuzô Masumura, Ayako Wakao, Hiroshi Kawaguchi, Jirô Tamiya, Drama, Romance

A Woman's Testament (1960)
The first story concerns an attractive young woman who works in a Tokyo nightclub. Her plan for a solid financial future has a double whammy. She is investing in a company on the one hand, and on the other, taking action to snare the son of the company’s owner in matrimonial bliss. In the second story, a beautiful young woman is employed by an unscrupulous real estate agent to convince male clients to invest in worthless property. A scrub in the tub usually does the trick. The last story is about a widowed geisha who has no real financial worries and when she falls in love with a forger, she opts to wait for him after he is sent to prison, rather than follow societal or family dictates.
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The Fearless Avenger / Mushukunin mikogami no jôkichi: Kawakaze ni kako wa nagareta (1972) Kazuo Ikehiro, Tôru Abe, Yoshio Harada, Akio Hasegawa, Action, Drama

The Fearless Avenger (1972)
Thirsting for revenge, Jokichi rashly attempts to assassinate the evil Chogoro but ends up being captured by Yakuza. His life is spared by Boss Juzaburo, in order that the harmony of an important commemoration not be further disturbed. Though now even more of an outcast, Jokichi is asked by another Yakuza boss, Umezo, to guard Oyuki, the wayward daughter of Juzaburo. The tragic consequences of this assignment will lead him into a deadly trap and a final confrontation with Chogoro.
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The Glass Key (1942) Stuart Heisler, Alan Ladd, Veronica Lake, Brian Donlevy, Crime, Drama, Film-Noir

The Glass Key (1942)
In this slick updating of Dashiell Hammet’s crime novel, political boss Paul Madvig (Brian Donlevy) falls for reform politician Ralph Henry’s attractive daughter Janet (Veronica Lake), despite the caution of his best friend, Ed Beaumont (Alan Ladd). Paul’s efforts to disassociate himself from the criminal underworld backfire, however, when he is accused of murdering Janet’s disreputable brother, and a casino owner Paul had offended sends his sadistic thugs after Ed in revenge.
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Le défroqué / The Unfrocked One (1954) Léo Joannon, Pierre Fresnay, Pierre Trabaud, Nicole Stéphane, Drama

Le defroque (1954)
Pierre Fresnay plays the title character in Le Defroque (The Defrocked One). Cast out by his church, former priest Maurice (Fresnay) delights in mocking the traditions and credos of Catholicism. Even so, young Gerard (Pierre Trabaud) becomes convinced that Maurice has never truly lost his calling. Becoming a priest himself, Gerard devotes his life to bringing Maurice back into the fold. Things don’t turn out quite as Gerard hopes, however; he has not reckoned with the possibility that Maurice may have been driven into insanity by his raging self-hatred.
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Inugami (2001) Masato Harada, Yûki Amami, Atsuro Watabe, Eugene Harada, Thriller, Fantasy, Drama

Inugami (2001)
Akira, a teacher from Tokyo, has just arrived in a small rural town to begin his new job. Soon after arriving, he meets, and begins to fall for, Miki, a papermaker and part of a large and unusual family. When he learns of an ancient legend that the family carries the curse of the Inugami, or Dog God, he brushes it off as silly superstition. After a series of mysterious deaths, however, the townspeople begin to grow restless, and Akira must confront the truth about Miki and her family.
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Kwaidan (1964) Masaki Kobayashi, Rentarô Mikuni, Michiyo Aratama, Misako Watanabe, Art-house, Fantasy, Horror

Kwaidan (1964)
After more than a decade of sober political dramas and socially minded period pieces, the great Japanese director Masaki Kobayashi shifted gears dramatically for this rapturously stylized quartet of ghost stories. Featuring colorfully surreal sets and luminous cinematography, these haunting tales of demonic comeuppance and spiritual trials, adapted from writer Lafcadio Hearn’s collections of Japanese folklore, are existentially frightening and meticulously crafted.
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Nu Guo – In the Name of the Mother (2014) Documentary

Nu Guo - In the Name of the Mother (2014)
In China, in the foothills of the Himalayas, a non-violent egalitarian society has for millennia offered proof that a harmonious and peaceful life is still possible. On the occasion of the 50th anniversary of the United Nations the Mosuo were recognized as a “model society”. On what basis does this community of about 50,000 people function? Above all, for how much longer can it resist the pressures of a market economy engendered by strategically organized mass tourism? In a landscape of outstanding beauty, encounters and testimonies draw us closer to the traditional values cherished by this ethnic group confronted by a crucial challenge: how to safeguard the essence of its identity from destruction and not succumb, as have so many other societies, to the impact of unconstrained globalization.
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