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The discovery of a bone and a gun send a husband and wife on separate adventures over the course of a weekend.
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During a witch trial in the seventeenth century a woman is accused of being a witch and burned at the stake. The witch curse the village priest who pushed through the accusations and promises that her offspring will avenge her. During the Caroline the priest’s son take over as vicar of the congregation, and the daughter of the witch bewitches him so that he suffers constant erection. This is off course very embarrassing for the vicar. The local women has to step in and try to set things right.
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This is another look at the occult as inspired by Roger Corman and his view of the dark side. Jealous witch Erica uses her powers to influence her unwitting husband Larry and his colleagues, who all work for a big law firm.
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A wealthy theatrical producer entices a desperately poor young woman to visit his penthouse. The innocent girl doesn’t realize that the lecherous fellow is planning to do much more than have a drink with her. Fortunately, her friend the grocery boy isn’t so naive and manages to arrive in the nick of time.
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All the various Bulldog Drummond movie series had run their courses by 1951; nonetheless, MGM decided to revive the property (and simultaneously liquidate some “frozen funds”) with the British-filmed Calling Bulldog Drummond. Walter Pidgeon stars as novelist Sapper’s soldier-of-fortune, here retooled as a respectable retired military officer. Summoned to London by Scotland Yard, Drummond is assigned to break up a dangerous criminal gang. He is aided by female undercover officer Helen Smith (Margaret Leighton), who turns out to be not much help at all. Trapped in a bombed-out building and surrounded by hulking henchmen, Drummond seems to have run out of luck. Some of the film’s brightest moments are provided by David Tomlinson as a traditional “silly ass” type who is lot smarter than he seems. Bernard Lee, the future “M” in the James Bond films of the 1960s, appears as a secondary villain.
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On April 14, 1912, just before midnight, the “unsinkable” Titanic struck an iceberg. In less than three hours, it had plunged to the bottom of the sea, taking with it more than 1,500 of its 2,200 passengers. In his unforgettable render­ing of Walter Lord’s book of the same name, the acclaimed British director Roy Ward Baker depicts with sensitivity, awe, and a fine sense of tragedy the ship’s last hours. Featuring remarkably restrained performances, A Night to Remember is cinema’s subtlest and best dramatization of this monumental twentieth-century catastrophe.
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A notoriously shrewish TV drama writer and a Korean wave star who fight like cats and dogs every time they meet; a spinster flight attendant landlady and a nosy chef tenant who build a sense of camaraderie; a genius relationship-virgin composer who harbors a secret admiration for a scatterbrained producer. As they crash-land into each other’s lives, will there be love?
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Evridika, a neglected teenager, lives with her mother Sona in Alaverdi, a small Armenian town. While Sona, a conductor of a world famous choir, is often away, Evridika struggles with her blossoming sexuality, suicidal thoughts and the search for the father she has never known. Each day she drowns deeper inside herself and sees no reasons to live until she meets Pyotr, Sona’s ex-lover. He will become the key to Evridika’s new perception of the world.
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A young college is responsible for the care of an innocent little girl, but soon all he knows give a twist that will endanger his own life. All begin when crossing under the floor of the third floor to the left, a road without knowing directly the door open to the forces of evil, freeing them at will through the building. A desperate race to save the lives when terror and pure evil are in the next aisle.
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Events over the course of one traumatic night in Paris unfold in reverse-chronological order as the beautiful Alex is brutally raped and beaten by a stranger in the underpass.
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Marie St. Clair believes she has been jilted by her artist fiance Jean when he fails to meet her at the railway station. She goes off to Paris alone. A year later, mistress of wealthy Pierre Revel, she meets Jean again. Misinterpreting events she bounces back and forth between apparent security and true love. Also misinterpreting, Jean commits suicide.
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During Madeleine’s fashion show Claire meets Antoine and becomes his mistress. Due to the fact that she’s married (to a wealthy man) she only spends a few days a week with him. Antoine is also rich, and often taken to meetings by his chauffeur, Marius. However things are more complicated: Antoine is Madeleine lover (Claire’s best friend) while George, Claire’s husband is quite rich and has a modest job. Everything works perfectly until Madeleine discovers the truth. She prepares her vengéance and organizes a celebration which she invites Antoine, Claire and George.
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Playboy Henry Graham squanders his wealth and must seek out a new source to maintain his idle rich lifestyle. The easy alternative to work is to find a rich woman, marry her, and murder her. Klutzy, nerdy Henrietta Lowell is the ideal candidate. But in dealing with his klutzy, nerdy, trusting new wife, a botanist, and her ill-managed estate, Henry unwittingly begins to assume some sense of responsibility, not realizing this while planning to do away with Henrietta on one droll camping trip…
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Every six hundred years, a great evil has the opportunity to escape and unleash Armageddon. A group of five stones has the power to either free the evil, or banish it for another six hundred years. An order of Druids battles with a Warlock determined to unleash his father upon the world.
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Oddball cop and tough guy, Jack Cates is the only survivor of a cop shooting and in hunting down the murderer collects Reggie Hammond from jail for 48 hours. Hammond is oddly motivated to help. The killer is searching for his stash of cash. Cates and Hammond who have the Black-white, cop-crook thing to work out make surprisingly good partners as they navigate through the city looking for their suspect.
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