The Dark Mirror (1946) Robert Siodmak, Olivia de Havilland, Lew Ayres, Thomas Mitchell, Crime, Drama, Film-Noir

The Dark Mirror (1946)
A woman suspected of murdering her doctor boyfriend has an identical twin sister. When both twins have an alibi for the night of the murder, a psychiatrist is called in to assist a detective in solving the case. Through a series of tests, he discovers which twin actually committed the crime and in the course of his investigation he falls in love with the normal twin.
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The Guns of Fort Petticoat (1957) George Marshall, Audie Murphy, Kathryn Grant, Hope Emerson, Action, War, Western

The Guns of Fort Petticoat (1957)
Murphy deserts the Union Army to warn former Texas neighbors of impending Indian attacks triggered by Army massacre. He overcomes initial distrust and convinces the homesteaders (all women whose men are away fighting in the Confederate Army) to take refuge in an abandoned mission. He trains them to fight and shoot in anticipation of the attack. The only other man at the mission runs away o save his scalp and ends up leading the Indians back to the mission. Surrounded and outnumbered, the defenders prepare for the final assault…
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Feng yue / Temptress Moon (1996) Kaige Chen, Leslie Cheung, Li Gong, Kevin Lin, Drama, Romance

Feng yue (1996)
Not far from Shanghai, in a country twon stands the palatial home of the Pang family. Old Master Pang is an addict who brings up his beautiful daughter Ruyi on opium smoke. Her older brother, Zhengda, is addicted as well, and then paralysed and effectively brain-dead. Zhongliang, Zhengda’s brother-in-law, is a successful gigolo in Shanghai who seduces married older women and then blackmails them. When Older Master Pang dies, the clan elders makes Ruyi to take over the role as the head of the household. Zhongliang returns to the Pang family on the death of Old Master Pang, re-encounters Ruyi, and they are secretly attracted to each other. Wanting to seem sophisticated, she succumbs to Zhongliang’s attempts to seduce her. But in the emotional maelstrom that follows – for the angry, jealous and sexually frustrated sister (Zhengda’s wife) is also part of the picture…
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Izolator / Warsaw Dark (2008) Christopher Doyle, Anna Przybylska, Adam Ferency, Leslaw Zurek, Thriller

Izolator (2008)
Prominent cinematographer Christopher Doyle continues to hone his talents as a director with this thriller set in Eastern Europe and inspired by the as-yet-unsolved murder of a Polish politician in 2001. A young prostitute is spending the evening with a prominent Polish official when he’s suddenly assassinated in Warsaw. In the aftermath of the hit, the triggerman takes the prostitute to an apartment and subjects her to a complex personality replacement program designed to wipe out any memories she may have retained about the evening’s events.
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Tierra de los padres / Fatherland (2011) Nicolás Prividera, Felix Bruzzone, José Campusano, Lucía Cedrón, Drama, Documentary

Tierra de los padres (2011)
Fatherland brings a rigorous structural approach to a site of monuments that is also a place of movement, criss-crossed daily by tourists and locals. The grounds are laid out like city blocks, with wide avenues branching onto laneways filled with elaborate mausoleums. The film does not attempt to tour the cemetery as one would on foot, however, but rather moves chronologically through the history enshrined there. A series of individuals are framed in static compositions as they read aloud excerpts from the writings of noteworthy Argentines interred within. (Some license has been taken, as the final resting places of certain figures represented – such as journalist Rodolfo Walsh, who was among the “disappeared” – remain unknown. The result is both poetic and political.) Beginning in the early 1800s, this history comprises civil war, battles with the country’s native population, the conflict between the city and the provinces, and years of military dictatorship.
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Choh chin luen hau dik yi yan sai gaai / First Love: Litter on the Breeze (1998) Eric Kot, Calvin Choi, Takeshi Kaneshiro, Vincent Kok, Drama

Choh chin luen hau dik yi yan sai gaai (1998)
Eric Kot Man Fai’s directorial debut tells two tales of first love, before and after. In the first, Takeshi Kaneshiro (Chungking Express) stars as a garbageman who falls in love with a sleepwalking young woman (Lee Wai-Wai). The second is about a convenience store owner (Eric Kot Man Fai) who is troubled by the return of an old lover whom he jilted years before. Semi-experimental in approach, the film explores similar themes to Wong’s highly visual romantic style whilst also showcasing the director’s unique voice and creativity.
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