Crime et châtiment / Crime and Punishment (1956) Georges Lampin

Crime et chatiment (1956)
Convinced of his own intelligence and talent, René Brunel (Robert Hossein) decide to try that is above the bourgeois and kills an old pawnbroker in cold blood morality. Gallet commissioner (Jean Gabin), case manager, we will pursue relentlessly and subtle, convinced it has something to do with it. Suffocating pressure that added to the ideas raised in his talks with Lili Marcelini (Marina Vlady), a prostitute he has met recently, make awareness of René fall on him without mercy.
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Smartest Girl in Town (1936) Joseph Santley

Smartest Girl in Town 1936
Modeling furs has given our heroine Cookie a taste for them, so she’s determined to marry a rich man. Scheduled to meet a male model aboard a yacht, she meets the yacht’s rich owner Dick Smith instead; he welcomes the confusion of identity and sets out to win her by force of personality alone. It’s an uphill battle. Lots of wry repartee.
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She’s Got Everything (1937) Joseph Santley

She's Got Everything 1937
Carol Rogers returns from Europe to discover that her recently deceased father has left her with huge debts and no resources to pay them. Aunt Jane suggests that Carol marry a South American millionaire, but, Carol refuses and vows to find a job instead. Waldo, a bookmaker, and Aunt Jane plot the perfect scheme. They arrange for Carol to be hired as a secretary for rich bachelor racetrack enthusiast and coffee magnate , Fuller Partridge. Fuller soon falls for Carol but doesn’t let her know. Aunt Jane and Waldo try to set up a romantic interlude for the two at a resort. They insist Carol join them at the resort to recuperate from her near breakdown at work. Fuller, a workaholic refuses to go – Carol goes up alone. Waldo phones Fuller that Carol is delirious and is calling out for him. Fuller rushes up to the resort. Meanwhile, Waldo and Aunt Jane hire a hypnotist to hypnotize Carol to become delirious. By mistake, Aunt Jane is hypnotized instead and is calling out for Fuller.
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Eles Não Usam Black-Tie / They Don’t Wear Black Tie (1981) Leon Hirszman

Eles Nao Usam Black-Tie (1981)
A large factory in Brazil is having problems with its workers and their union, just as the workers are having their problems with the factory bosses. In order to make their grievances heard, the workers decide to go out on strike against the plant. This action divides a family — the son opts for working within the system and not joining the strikers, the father was the union organizer who got the strike together in the first place. His ideals are so strong that he had been jailed for them earlier. The strike is broken in the end, and the young man is vilified by his wife — who leaves him, and by his father — who disowns him, and by the other workers. As the father goes off to participate in a funeral of one of the strikers killed by the police, the son is left to ponder the consequences of his actions, and to reconsider whether he was completely justified in his stance.
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A Yank in the R.A.F. (1941) Henry King

A Yank in the R.A.F. (1941)
Tyrone Power is a pilots’ pilot, but he doesn’t believe in anything beyond his own abilities. He gets into trouble by flying a new fighter directly to Canada instead of to New York and letting it be towed across as the law demands, but is offered a new job ferrying bombers to war torn England. While on a layover he finds Betty Grable, an old flame, has joined the RAF as a WREN in her attempt to fight for democracy. Power joins up to impress her and in the course of his several missions begins to develope an understanding of what they are fighting for.
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La balance (1982) Bob Swaim

La balance (1982)
Nicole is a Parisian streetwalker and Dede is her racketeer boyfriend, on the outs with his mob bosses because of a dispute over Nicole. When a police informant (“balance”) is murdered, the cops have to scramble for a replacement. Deciding on Dede, they begin to put a nasty squeeze on him and Nicole.
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La chartreuse de Parme / The Charterhouse of Parma (1948) Christian-Jaque

La chartreuse de Parme (1948)
Fabrice del Dongo, a young archbishop, gives his all to romance rather than to the Church, creating complications for everyone around. The Countess of San Severina, is but one of the women who love him a la folie, spurring jealous retribution in high places from those who in turn want her. From his prison window, Fabrice falls in love with the jailer’s daughter who takes a vow to the Virgin Mary to never see him again if his escape succeeds.
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Maria no Oyuki / Oyuki, the Virgin (1935) Kenji Mizoguchi

Maria no Oyuki (1935)
Oyuki, the Virgin is based on Kawaguchi Matsutaro’s adaptation of Maupassant’s “Boule de Suif” (“Lump of Fat,” also the inspiration for Ford’s Stagecoach). To this story Mizoguchi added some of his own elements. Maupassant’s original work, set during the Franco-Prussian War, is the story of a group of people who try to flee the battleground in a horsedrawn carriage. The bourgeois use the expression “lump of fat” to refer sarcastically to the prostitute who is riding along with them. When they are caught by the enemy, they offer to send her to the commander as a human sacrifice. This done, when they leave the battlefield the next day, all they do is censure her and call her vulgar.
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Madame Bovary (1934) Jean Renoir

Madame Bovary (1934)
Soon after the death of his first wife (whose dowry was inadequate), Charles Bovary, a country doctor in Normandy, marries Emma Rouault, who is well-endowed in every sense. In her new home, Emma finds conflict with her mother-in-law, a husband uninterested in the social whirl, and general discontentment; thereby proving an easy conquest for philanderer Rodolphe. Other lovers follow. Does tragedy await?
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