John Ford weaves three “Judge Priest” stories together to form a good- natured exploration of honour and small-town politics in the South around the turn of the century. Judge William Priest is involved variously in revealing the real identity of Lucy Lake, reliving his Civil War memories, preventing the lynching of a youth and contesting the elections with Yankee Horace K. Maydew.
The Last Time I Saw Paris (1954) Richard Brooks, Elizabeth Taylor, Van Johnson, Walter Pidgeon, Drama, Romance
Charles returns to Paris to reminisce about the life he led in Paris after it was liberated. He worked on “Stars and Stripes” when he met Marion and Helen. He would marry and be happy staying in Paris after his discharge and working for a news organization. He would try to write his great novel and that would come between Charlie, his wife and his daughter.
Riders of the Purple Sage (1941) James Tinling, George Montgomery, Mary Howard, Robert Barrat, Western
Si muero antes de despertar (1952) Carlos Hugo Christensen, Néstor Zavarce, Blanca del Prado, Floren Delbene, Thriller
Incarnation of “cute” in its most sinister version, the lunatic who plays here Homero Cárpena not only has a frightening aspect but also denies God and lacks human traits possessed other colleagues, like Peter Lorre in M, Fritz Lang, or Nathan Finch in The black vampire.
Gunfighter Billy Ringo decides to hang up his guns, buy a ranch and marry Arlene Reach. His brother Matt, father of Chip, the nephew Ringo is trying to keep on the straight and narrow, with three other outlaws, Dixon, Hollaway and Hoke, frame Ringo into pulling a bank robbery with them. Pretending to side with them, after accidentally killing Matt, Ringo informs Marshal Wyatt Earp of their plan to rob a Wells Fargo express wagon. A gunfight ensues at the robbery and the three outlaws are killed and Ike Clinton, the ringleader, is turned over to Marshal Earp by Ringo.
Maj. Pete Sandidge is a very able pilot who seems to have a streak of luck as far as flying goes. World War II is raging and Pete has come out of it pretty so far. He even has a beautiful girlfriend Dorinda Durston, herself a qualified pilot who ferries aircraft to different bases. When Pete is killed however, he finds himself in heaven and learns that every pilot has a guardian angel. He returns to Earth where, unseen by anyone, he coaches a pilot-in-training Ted Randall. Ted is a pretty good kid and is coming along nicely but when he’s shipped to New Guinea he runs into Dorinda who has remained faithful to her lost love. As Ted pursues her, Pete will have to decide what he wants to do about it.
1963, the night before the 18 years old “Birdlace” Eddie and his friends are shipped to Vietnam. They play a dirty game called ‘Dogfight’: all of them seek a woman for a party, and who finds the most ugly one, wins a prize. Eddie finds the lonesome pacifist Rose working in a coffee shop. She’s happy to accompany him – but then she sees through the game. However by this time he already learned to like her, so he follows her home. Will he manage to win her heart despite their differences?
Bolwieser / The Stationmaster’s Wife (1977) Rainer Werner Fassbinder, Elisabeth Trissenaar, Kurt Raab, Bernhard Helfrich, Drama
The lackluster and plodding station master Bolwieser has the (mis)fortune to be married to the town’s siren; his trusting nature leads him into serious trouble when she beds nearly every available guy.
A propósito de Buenos Aires (2006) Manuel Ferrari, Alejo Franzetti, Maria Abadi, Mariana Chaud, Inés Efron, Documentary
From the port of Santa Maria of Buenos Aires, the city as a desert where we can not expect mercy or no relief. Black and sound vessels. Orchestral trains. Abandoned children. Lights of methylene blue. Theater lobbies. Broad avenues. Straight narrow streets. Studies outdated. Air collisions. Smokeless chimneys. Identical letters. Furtive encounters. Prefabricated swamps. Slimy beds. Prohibited Islands. Almost a million books. Stone angels. Allegorical stones. Songwriters locals body and soul. Deceptions. Robberies. Scams. Black and white images of a dead Buenos Aires. Eleven directors collective experiment with thirty two characters over a city of five parts: Traps. The money. Desert. Lights. The dead. Temperate and relatives, the remains of a shipwreck: Speaking of Buenos Aires. These young directors met to collaborate on this unusual project, not only for its technical specifications, but for its narrative structure. There are several scenes joined together only by the city. None of these has come to define a unique story, each is part of a larger situation that we see, as if the beginning and end of each story should be completed by the viewer. Or rather, as if there were no need to begin and end because, ultimately, this is nothing more than the conventional way of telling stories.