Happy Go Lucky (1943) Curtis Bernhardt, Mary Martin, Dick Powell, Betty Hutton, Comedy, Musical

Happy Go Lucky (1943)
To land a rich husband, golddigger Marjory Stuart goes to Trinidad posing as a debutante. Beach boy Pete promptly unmasks her, but offers to help her catch his enemy, yachtsman Alfred Monroe. Marjory’s pal Bubbles turns out to be the old flame of Pete’s pal Wally. All the well-planned efforts to land Monroe end in slapstick; then Wally’s voodoo priestess landlady gives him a love potion that works…

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Careless Lady (1932) Kenneth MacKenna, Joan Bennett, John Boles, Minna Gombell, Comedy, Romance

Careless Lady (1932)
In this romance, a homely country girl makes herself over into a gorgeous New York Fashion model. Suddenly men flock to her and one night she is in a speakeasy when she meets a suave, handsome and rich fellow. The cops raid the place and after she gets out of the hoosegow, the woman goes to Paris, and for some strange reason takes on the name of the man she met in the nightclub. The man has followed her to Europe and is so persistent that her friends begin to think they are married. Word spreads back to the States, and the poor girl tries to rectify the misunderstanding by claiming that the marriage disintegrated. Things only get worse when the truth finally comes out.

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Behind the Eight Ball (1942) Edward F. Cline, Al Ritz, Jimmy Ritz, Harry Ritz, Comedy, Musical, Mystery

Behind the Eight Ball (1942)
The shooting and murder of two guest stars at the Shady Ridge Summer Theatre, operated by Joan Barry, threatens to close the musical “Fun For All.” To bolster the show, Joan induces Bill Edwards, who shares joint ownership with her, of the farm the theatre is located on, and Sheriff McKenzie, to hire the Jolly Jesters. They steal the show and, along the way, uncover a spy ring and a bullet-shooting clarinet.

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Anything for John (1993) Dominique Cazenave, John Cassavetes, Seymour Cassel, Peter Falk, Documentary

Anything for John (1993)
An intimate portrait of actor-writer-director John Cassavetes and a loving tribute to his genius for studying and depicting the human character. In-depth, candid interviews with his wife and muse Gena Rowlands as well as his most trusted friends and co-workers like Peter Falk, Ben Gazzara, Seymour Cassel, etc. Clips from Cassavetes’ greatest films, and many rare photos illustrate this touching documentary.

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Arizona Raiders (1965) William Witney, Audie Murphy, Michael Dante, Ben Cooper, Western

Arizona Raiders (1965)
Murphy plays an ex-Quantrill’s Raider who’s released from jail with buddy Cooper to be deputized as Arizona Rangers in order to hunt down the remnant of the gang, rumored to he hiding out in a town “neer dee border” in the words of the loose-lipped saloon dancer. The goons are found hiding in an Indian mission. Murphy and Cooper pretend to want to rejoin the gang, but the bad guys catch on and brutally beat Cooper, who protects Murphy’s true sentiments to the death.

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The Yellow Canary (1963) Buzz Kulik, Pat Boone, Barbara Eden, Steve Forrest, Drama

The Yellow Canary (1963)
Andy (Pat Boone) is an arrogant pop singer about to be divorced by his wife (Barbara Eden) who treas his staff badly. On the same night he starts a job at a theater in Los Angeles his infant son is kidnapped. Despite requests from the lead police officer on the case, Lieutenant Bonner (Jack Klugman), Paxton plays along with the kidnappers as they string him along even though they are willing to kill.

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Daddy Long Legs (1955) Jean Negulesco, Fred Astaire, Leslie Caron, Terry Moore, Musical, Romance

Daddy Long Legs (1955)
On a trip to France, millionaire Jervis Pendelton sees an 18 year old girl in an orphanage. Enchanted with her, but mindful of the difference in their ages, he sponsors her to college in New England. She writes him letters, which he doesn’t read. After 3 years, he goes to visit her at a dance, not telling her that he is her benefactor. They fall in love, but the usual movie-type difficulties get in the way before they can get together at the end.

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Albuquerque (1948) Ray Enright, Randolph Scott, Barbara Britton, George ‘Gabby’ Hayes, Western

Albuquerque (1948)
Cole Armin comes to Albuquerque to work for his uncle, John Armin, a despotic and hard-hearted czar who operates an ore-hauling freight line, and whose goal is to eliminate a competing line run by Ted Wallace and his sister Celia. Cole tires of his uncle’s heavy-handed tactics and switches over to the Wallace side. Lety Tyler, an agent hired by the uncle, also switches over by warning Cole and Ted of a trap set for them by the uncle and his henchman Juke Murkil.

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