Abrir puertas y ventanas / Open Doors, Open Windows (2011) Milagros Mumenthaler, María Canale, Martina Juncadella, Ailín Salas

Abrir puertas y ventanas (2011)
Buenos Aires at the end of summer. Marina, Sofia and Violeta are alone in the family home after their grandmother, who had brought them up, has died. They have to come to terms with her death, each in her own way. Marina concentrates on her studies while looking after the household, whereas Sofia becomes obsessed by her appearance and goes out with friends. As for Violeta, she wanders around between bedroom and sitting room where, from time to time, she receives an older man. Discord, laughter, meanness, gestures of affection determine the rhythm of this period of uncertainty, until one day in autumn Violeta disappears without warning…
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Tots volem el millor per a ella / Puzzlement (2013) Mar Coll, Nora Navas, Valeria Bertuccelli, Pau Durà

Tots volem el millor per a ella (2013)
One year after suffering a horrible traffic accident, Geni is ready to resume her life… or at least that’s what her family wants to see. The truth is that despite trying to please everyone, Geni feels unable to live up to expectations: her life before the accident no longer interests her. Why resume it then? The confusion that this creates causes her behavior to become increasingly more erratic and leads to a single idea that begins to grow within her: escape.
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Hebi no michi / Serpent’s Path (1998) Shô Aikawa, Teruyuki Kagawa, Shiro Shitamoto, Kiyoshi Kurosawa

Hebi no michi AKA Serpent's Path (1998)
Serpent’s Path and its companion piece Eyes of the Spider (Kumo No Hitomi) both start from the same premise: a man taking revenge for the murder of a child. Kurosawa used this premise as the jumping-off point for the two films rather than their definition, resulting in a pair of works which are not so much occupied with revenge, but with the mental processes of human beings in situations that have placed them outside everyday life.
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Le cousin Jules / Cousin Jules (1972) Dominique Benicheti

Le cousin Jules AKA Cousin Jules (1972)
A lost masterpiece of cinema, now beautifully restored and available for the first time in years, Cousin Jules was the result of five years (1968-1973) painstaking work by director Dominique Benicheti and cinematographer Pierre-William Glenn. Over that period, the team photographed and recorded the daily lives of Jules (Benicheti’s distant cousin) and his wife, Felicie, French farmers living alone in the countryside.
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Drancy Avenir (1997) Arnaud des Pallières, Aude Amiot, Thierry Bosc, Anna-Lisa Nathan

Drancy Avenir (1997)
DRANCY AVENIR offers three compelling stories beginning with the last Holocaust survivor, who laments not leaving behind an account of the past he witnessed. In the second tale, a young historian doing research on the concentration camp that operated in Drancy discovers that the site of the camp is now occupied by a low-cost housing project called La Muette (the Silent). In the final tale, a ship’s captain recounts a journey up an uncharted river towards a little-known civilization.
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