Betty (Naomi Watts, 21 Grams, King Kong), a beautiful blonde from Ontario, arrives in Hollywood to try her luck in the movies. She moves in her absent aunt’s apartment where she meets Rita (Laura Harring, Ghost Son), an elegant brunette. Betty assumes that Rita is a friend of her aunt.
But Rita does not know Betty’s aunt. In fact, she does not know who she is – she can’t remember her name or where she lives. The only thing Rita seems to remember is that she was involved in a car accident somewhere on Mulholland Drive. Intrigued by Rita’s story, Betty decides to help her.
Rita and Betty begin reconstructing Rita’s life. There are small details about the car accident Rita begins to remember, flashbacks from her past, even feelings she can’t quite understand. But did everything she remembers happen? Or is her brain playing tricks on her?
Meanwhile, a successful director (Justin Theroux, Inland Empire) is ordered to offer the leading role in his upcoming film to a girl he does not like. He attempts to protest, but a funny looking cowboy (Monty Montgomery) appears and repeats the order. He also conveys to the director that it will be in his best interest if they did not meet again. The director gets it, and somewhere in Los Angeles a man in a wheelchair (Michael J. Anderson, Twin Peaks: Fire Walk with Me) is immediately delivered the good news. Before the director begins shooting the film, however, he discovers that his wife (Lori Heuring) is having an affair.
While Rita is recuperating, Betty has a terrific audition. Shortly after, she has sex with Betty. Then the two attend a strange theater and discover a tiny blue box in Betty’s purse. When they open the box all hell breaks loose.
Approximately a week after Mulholland Drive was released in theaters, director David Lynch revealed ten clues that supposedly unlocked the secret of his film. I’ve seen Mulholland Drive a number of times during the years and to this day remain firmly convinced that its narrative actually allows for a number of successful interpretations.
Director Lynch has also revealed that Mulholland Drive is a film about unique feelings, and slipping into another world where specific intellectual judgments are to be avoided. This I agree with. One does not necessarily have to align properly all the scattered pieces in the giant puzzle Mulholland Drive is in order to experience its beauty.
The film is uncompromisingly hypnotic. Even if one does not understand the significance of everything that takes place on the screen, one feels an inexorable need to keep watching, and feeling, and speculating. It is a strange feeling for sure – like being awake in a bizarre dream.
As stunningly beautiful many of the visuals may be, Mulholland Drive would have been a very different film without Angelo Badalamenti’s music score – a striking blend of ambient and electronic tunes that give the film its unique pulse.
1080p BDRip | mkv | HEVC (High Efficiency Video Coding) @ 3.77 Mbps, 23.976 fps | 1920 x 1080 | 2h 27m | 3.94 GB
English 6 Channel AC-3 (48 KHz) @ 256 Kbps | Subtitle: English
Genre: Drama, Psychological Thriller, Mystery