Returning a lost wallet gains unemployed veteran Chuck Scott a job as chauffeur to Eddie Roman, a seeming gangster whose enemies have a way of meeting violent ends. The job proves nerve-wracking, and soon Chuck finds himself pledged to help Eddie’s lovely, fearful, prisoner-wife Lorna to escape. The result leaves Chuck caught like a rat in a trap, vainly seeking a way out through dark streets. But the real chase begins when the strange plot virtually starts all over again…
Acclaimed director John Badham delivers a winning combination of action, suspense, comedy, and romance! Convinced that a dangerous escaped convict (Aidan Quinn) is headed for his ex-girlfriend’s (Madeleine Stowe), a pair of Seattle detectives (Richard Dreyfuss, Emilio Estevez) stake out her apartment. The watch remains routine until one of the detectives begins a high-risk romance with the woman under surveillance – jeopardizing not only the partners’ careers … but also their lives!
Des femmes disparaissent / Girls Disappear (1959) Édouard Molinaro, Robert Hossein, Magali Noël, Estella Blain, Thriller
Pierre Rossi and Béatrice live in the same block of flats in Marseille and love each other. One night, Béatrice leaves her apartment. Pierre knows that his fiancée goes to a rendezvous, but she would not tell him more than just that. Worried, Pierre follows her but he is attacked and stolen his identity papers by two men, Tom and Nasol, on the payroll of Quaglio, one of the city’s bosses. Later on, Quaglio kills Nasol and deposits the body in a garage, leaving Pierre’s papers nearby. As for Pierre, he manages to follow Tom to a villa where several young women have been invited. Pierre, horrified, realizes that this place is the headquarters for the white slave trade.
Cape Fear is a 1991 thriller film, directed by Martin Scorsese. It is a remake of the 1962 film of the same name and tells the story of a family man, a former public defender, whose family is threatened by a convicted rapist who wants vengeance for having been imprisoned for 14 years because of the lawyer’s purposefully faulty defense tactics, prejudicing the accused. It received Academy Award nominations for Best Actor (Robert De Niro) and Best Supporting Actress (Juliette Lewis). The two were also nominated for Golden Globe Awards.
Nikita is the sole survivor of a bloody shoot out between police and a band of drug-crazed social dropouts. Violently aggressive and mentally unstable, the young woman is taken into police custody, but soon find herself a prisoner in a secret government department. She is offered a choice: to die for the crime she has committed, or to train to become a government assassin. Not that she really has a choice…
Subway (1985) Luc Besson, Christopher Lambert, Isabelle Adjani, Richard Bohringer, Comedy, Drama, Thriller
Helena, the beautiful young wife of a wealthy businessman, invites a stranger Fred to her party. Fred repays her by stealing compromising documents from her husband’s safe, with the aim of blackmailing the couple. Pursued by police and the henchmen of Helena’s ruthless husband, Fred goes on the run, taking refuge in the Paris metro. Here, he meets other social misfits, including a roller-blader the police have been hunting for several months. Whilst Helena realises that she has fallen in love with Fred and makes every attempt to contact him, Fred occupies himself with forming a band by recruiting buskers. Meanwhile, the police and Helena’s husband are getting closer to their target…
Conflict (1945) Curtis Bernhardt, Humphrey Bogart, Alexis Smith, Sydney Greenstreet, Drama, Film-Noir, Thriller
Richard Mason is slightly hurt in a car accident but pretends that his injuries are worse so that he cannot accompany his wife, Kathryn on a trip to the mountains. He does, however, kill her on a lonely mountain road. Or did he? He smells her perfume, finds her jewelry, sees an envelope addressed in her handwriting. He goes back to the scene of the crime to find … what?
La rupture / The Breach (1970) Claude Chabrol, Stéphane Audran, Jean-Pierre Cassel, Michel Bouquet, Thriller, Drama
Hélène Régnier walks out on her drug-addicted husband Charles after he brutally attacks their infant son. She stays in a run-down hotel whilst her son convalesces in hospital and she files for divorce. Charles’s wealthy bourgeois father is adamant that Hélène will lose custody of her child and, to that end, he engages a former business associate of Charles, Paul Thomas, to discredit her. When Paul fails to uncover any incriminating evidence against Hélène he concocts a scheme that will destroy her reputation. Things do not go quite as planned…
Harry Mitchell, an L.A. manufacturer with a fancy car, a nice house, and a wife running for city council, has his life overturned when three hooded blackmailers appear with a video tape of Harry and his young mistress. He’s been set up, and they want $100,000. To protect his wife’s political ambitions, Harry won’t go to the police; instead, he shines them on and then doesn’t pay. They up their demands, so he goes on the offensive, tracking them down and trying to turn one against the other. Their sociopathic leader, Alan, responds with violence toward the mistress and menace toward Harry’s wife. Will Harry let up and pay off Alan or can he find some other solution?
Jackie Brown (1997) Quentin Tarantino, Pam Grier, Samuel L. Jackson, Robert Forster, Crime, Thriller
Quentin Tarantino wrote and directed this adaptation of Elmore Leonard’s 1995 Rum Punch, switching the action from Miami to LA, and altering the central character from white to black. Ruthless arms dealer Ordell Robbie (Samuel L. Jackson), who lives with perpetually stoned beach-babe Melanie (Bridget Fonda), teams with his old buddy Louis Gara (Robert De Niro), just released from prison after serving four years for armed robbery. ATF agent Ray Nicolette (Michael Keaton) and cop Mark Dargus (Michael Bowen) bust stewardess Jackie Brown (Pam Grier), who was smuggling money into the country for Ordell. Ordell springs Jackie, but when middle-aged bail bondsman Max Cherry (Robert Forster) picks her up at the jail, he’s attracted to her, and they choose a romantic route with detours. Mistrust and suspicions surface after Jackie pits Ordell and the cops against each other, convincing Ordell that she’s going to double-cross the cops. Tarantino commented on the film’s budget: “Jackie Brown only cost $12 million. You can’t lose. You absolutely, positively can’t lose. And you don’t have to compromise.”