Thriller

Les intrigantes / The Plotters (1954) Henri Decoin, Raymond Rouleau, Jeanne Moreau, Raymond Pellegrin, Crime, Drama, Thriller

Les intrigantes (Henri Decoin, 1954)
A stage director (Raymond Rouleau) becomes the prime suspect in the death of his assistant, who may or may not have been fooling around with the director’s wife (Jeanne Moreau). The wife helps her husband hide out from the police, taking over his responsibilities in the theater. Soon she is flourishing in the world of make-believe, and she has fallen under the spell of the duplicitous rat who started all of the trouble in the first place. Saving the day is the director’s good-hearted secretary (Etchika Choureau), who has long harbored a crush on her boss.
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Dark Passage (1947) Delmer Daves, Humphrey Bogart, Lauren Bacall, Bruce Bennett, Film-Noir, Thriller

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Bogart plays a man convicted of murdering his wife who escapes from prison in order to prove his innocence. Bogart finds that his features are too well known, and is forced to seek some illicit backroom plastic surgery. The entire pre-knife part of the film is shot from a Bogart’s-eye-view, with us seeing the fugitive for the first time as he starts to recuperate from the operation in the apartment of a sympathetic young artist (played by Bacall) for whom he soon finds affection. But what he’s really after is revenge.
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Sbatti il mostro in prima pagina / Slap the Monster on Page One (1972) Marco Bellocchio, Gian Maria Volontè, Fabio Garriba, Carla Tatò, Drama, Thriller

Sbatti il mostro in prima pagina (Marco Bellocchio, 1972)
1972, Milano. We are just a few days before the general elections. The daughter of a well-known professor is found dead. Mr Bizanti editor in chief of newspaper “Il Giornale”, in agreement with its owner Mr. Montelli, decides to charge of following the story the junior Roveda and the senior Lauri. At one point, some elements indicates senator Boni as a possible murderer. All the “old guard” within “Il Giornale” drives articles in order to underline responsibilities of senator Boni. But young Roveda doesn’t surrender and continues to search for the truth.
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Les Félins / Joy House (1964) René Clément, Alain Delon, Jane Fonda, Lola Albright, Crime, Drama, Thriller

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French filmmaker Rene Clement presents Alan Delon as a petty criminal on the run from the underground. On the Rivera, he seeks refuge in a flophouse whose soup line is served by Jane Fonda and Lola Albright. The two women move him to a Gothic mansion owned by Albright, a millionaires with a Salvation Army complex. Fonda, her cousin, is hot for him and repeatedly attempts to seduce him while someone is attempting to poison him; and his murderous former associates have got wind of his whereabouts.
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L’aveu / The Confession (1970) Costa-Gavras, Yves Montand, Simone Signoret, Gabriele Ferzetti, Drama, Thriller

L'aveu (1970)
Anton Ludvik, aka Gerard, is vice-minister of Foreign Affairs of Czechoslovakia. He realizes he is watched and followed. One day, he is arrested and put into jail, in solitary confinement. Will be shown the mental tortures during the investigations and how a faithful top-ranking civil servant is made to confess to treason. Based on the true story of Czechoslovakian communist Artur London.
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Rififi / Du rififi chez les hommes (1955) Jules Dassin, Jean Servais, Carl Möhner, Robert Manuel, Crime, Thriller, Film-Noir

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After making such American noir classics as Brute Force and The Naked City, the blacklisted director Jules Dassin went to Paris and embarked on his masterpiece: a twisting, turning tale of four ex-cons who hatch one last glorious robbery in the City of Light. Rififi is the ultimate heist movie, a mélange of suspense, brutality, and dark humor that was an international hit, earned Dassin the best director prize at the Cannes Film Festival, and has proven wildly influential on the decades of heist thrillers that have come in its wake.
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Kidnapped / Secuestrados (2010) Miguel Ángel Vivas, Fernando Cayo, Manuela Vellés, Ana Wagener, Horror, Thriller

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Jaime, his wife Marta and their teenage daughter Isa move to a dream house in Madrid and they plan a family dinner to celebrate. Out of the blue, three violent hooded thieves break in their house and hold the Marta and Isa hostage while their leader goes to the bank with Jaime to withdraw money from the family bank accounts in a tragic night of terror.
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Shadow on the Wall (1950) Pat Jackson, Ann Sothern, Zachary Scott, Gigi Perreau, Crime, Drama, Film-Noir, Thriller

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Angered that her sister Celia has stolen her fiance, Dell Faring kills her and allows Celia’s husband David, knocked out in an argument with Celia, to take the blame and end up on death row. Later Dell, finding out that David’s young daughter Susan was witness to the crime and is undergoing psychiatric treatment, plans to eliminate her before her memory returns.
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Snowbound (1948) David MacDonald, Dennis Price, Mila Parély, Stanley Holloway, Crime, Drama, Mystery, Thriller

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A frequent visitor to the Late Late Show, the Anglo-American Snowbound is set in the frozen Alps. Robert Newton and Dennis Price head an expedition in search of a fortune of gold, stashed away by the Nazis in the last days of the war. Snowed into an old cabin, the men quickly get on one another’s nerves. Just when tension reaches the boiling point, one of the party saves the day. He happens to be a movie screenwriter, who uses his cinematic knowhow to reach a solution to their dilemma. Snowbound is based on The Lonely Skier, a novel by Hammond Innes.
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La vérité sur Bébé Donge / The Truth About Bebe Donge (1952) Henri Decoin, Danielle Darrieux, Jean Gabin, Jacques Castelot, Drama, Thriller

La verite sur Bebe Donge (1952)
Francois Donge, a wealthy manufacturer, is fighting death at hospital. He officially suffers from a food poisoning. But actually, his wife Bebe deliberately poisoned him. Flashback: ten years before, Francois meets Bebe. He is already wealthy, and has many affairs. She is an idealistic young woman. He is thinking of taking a wife, she is looking for love…
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La pasión según Berenice / The Passion of Berenice (1976) Jaime Humberto Hermosillo, Pedro Armendáriz Jr., Martha Navarro, Blanca Torres, Drama, Thriller

La pasion segun Berenice (1976)
Berenice (Navarro) is a woman with a mysterious past. A scar crosses her face and nightmares of fire and horses fill her lonely nights. She maybe killed her husband but nobody can be sure. In the present, Berenice lives with her godmother (Roldán) a money lender so fragile that she’s always resting in her bed. The two women live in an almost perpetual seclusion, except on Sundays when they go to the church and to the movies. One day, the godmother’s doctor dies and she asks Berenice to go to his velatory. There they meet Rodrigo (Armendáriz Jr.) the doctor’s son, a handsome and free-spirited young man for whom Berenice falls in love.
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Our Mother’s House (1967) Jack Clayton, Dirk Bogarde, Margaret Leclere, Pamela Franklin, Drama, Thriller

Our Mother's House (1967)
Raised by their Bible-obsessed, invalid mother, seven children care for her and one another in a gloomy Victorian house. The mother dies, and the children, terrified of being separated and even more terrified of the outside world, build a graveside shrine to her in the backyard and carry on as if nothing has happened. When their long-lost father shows up, he seems to fall in with their plans. Then the children begin to realize he has a different plan altogether.
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The End of Violence (1997) Wim Wenders, Traci Lind, Rosalind Chao, Bill Pullman, Drama, Thriller

The End of Violence (Wim Wenders, 1997)
Mike Max is a Hollywood producer who became powerful and rich thanks to brutal and bloody action films. His ignored wife Paige is close to leaving him. Suddenly Mike is kidnapped by two bandits, but escapes and hides out with his Mexican gardener’s family for a while. At the same time, surveillance expert Ray Bering is looking for what happens in the city, but it is not clear what he wants. The police investigation for Max’s disappearance is led by detective Doc Block, who falls in love with actress Cat who is playing in ongoing Max’s production.
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