Romance

1941 in a small town in Nazi occupied France. Against the will of its elderly male and his adult niece residents, the Nazis commandeer a house for one of their officers, Lt. Werner von Ebrennac, to live in for as long as he is in the area on Nazi business. As a figurative and literal silent protest against the Nazis and the officer, the uncle and niece do whatever is required of them while the officer is in their house, however they do not acknowledge his presence, living largely in silence whenever he is around. The officer treats the housing situation with care, like he is a guest. Although not a nightly occurrence, the officer begins an evening routine with his reluctant hosts: in his civilian clothes, he knocks on the door of the room in which they have convened for the evening, walking in shortly thereafter knowing that no acknowledgment will be made for him to enter, he visits with them for no more than five minutes before he bids them a good evening as he exits.
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BOYS tells the story of Sieger, a sporty, rather quiet 15-year-old boy who discovers love during the summer holidays. Sieger is training in the new athletics team for the national relay championships and meets the intriguing and unpredictable Marc. The friendship that develops seems nothing out of the ordinary, but Sieger secretly harbours stronger feelings for Marc. He engages in a lonely struggle with himself when it emerges that Marc is also in love with him. With his best friend Stef, Sieger discovers a motocross track outside the village. Events soon take on a momentum of their own as Sieger quickly becomes involved with Jessica. At last, he counts for something in the eyes of his tough older brother Eddy, who is secretly using the track to tear around on a moped. Sieger keeps quiet about this to his father, who often clashes with the rebellious Eddy since their mother’s death. Sieger tries to make peace between the two, but his mind is elsewhere, as he finds it increasingly …
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The lonely and silent rider Tae-suk breaks in empty houses and lives a normal life while the owners are traveling. He does not steal anything and moves from house to house without any loss other than food, and he cleans the houses, provides small repairs or washes some clothes to pay for the hospitality. When he enters in the house of Sun-hwa, he does not see the woman that is wounded in her room after being beaten up on by her abusive husband Min-gyu Lee. Tae-suk helps the hurt woman and when Min-gyu returns, he hits the husband with golf balls and Sun-hwa leaves her husband with Tae-suk on his motorcycle. When they break in the house of an old man, they find that the man is dead and Tae-suk provides funeral service for him. However, his son returns and Tae-suk and Sun-hwa are arrested by two abusive police detectives. He is sent to prison and Sun-hwa is forced to return home. But she never forgets him.
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In 1864 Cavalry Captain John Hayes reluctantly follows orders to become the civilian boss of the Overland Stage Line, which keeps the flow of Western gold to the Union and will help it win the Civil War. Headquarters for the stage line is a small Colorado town with Southern sympathizers who will do anything they can to sabotage his mission. Resistance to his efforts is led by former friend ad colleague Clay Putnam, who has taken advantage of Hayes’ absence and married his former sweetheart.
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Having packed up her possessions to move in with her lover, Laure is more unsettled than she appears. Needing to get out and have a change of scenery, she jumps in her car to go to have dinner with friends–only to become stuck in a terrible traffic jam. Laure completely forgot about the mass transit strike that has thrown the city into chaos. But Laure feels good in her car, the only place she has for herself right now. As she takes in the sights and sounds around her–the blare of horns and arguments, the shimmer of lights and camaraderie–Laure notices a calm and self-assured stranger, Jean, approach her car. Soon thereafter, she opens her car door door to the man who–that night–will change her life.
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Jean-Louis and Anne have had their fling and separated. Now 20 years have passed. He is still dating various women. She is now a big time director whose most recent film was a very expensive bomb. She comes up with the idea of making a romance based upon her fling with Jean-Louis. She contacts him to gain his permission. Jean-Louis is still in racing and goes away for a desert rally while she begins filming. She finds the mood of their romance difficult to recapture in her film.
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The movie is set in the Pacific Northwest; specifically, Washington state. We know this from a glimpse of a license plate, the craftsman architecture of the two houses, and the mature, rich landscapes in between. The setting, like the scrutiny of the four main character’s lives, is defined by the narrowness of the camera’s field-of view. The one commercial street in town is only seen in the reflection of a store window, a shot of a non-descript auto-yard, or the tunnel of a tree-lined suburban sidewalk. The lush, wooded landscape is understood as an immediate presence in the domestic and professional lives of the characters; a steep hill, railroad tracks, a rushing stream, and a path over an old steel bridge are revisited again and again by the characters in their capacities as lovers, parents and friends.
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Long before the events of the movie Ôki, who was approaching middle age, had a relation to 16-year-old Otoko. She got pregnant, but the child was stillborn. Their relation stopped at the same time. Much later Ôki had become a famous writer, not least because of a novel about this love story. Otoko had become a famous painter. But she had never overcome the double early trauma and had become a Lesbian. Her favourite student and beloved one was the beautiful Keiko. 24 years after the early love Ôki goes from Tokyo to Kyoto to meet Otoko. The meeting is polite with secret emotional shadows. Keiko makes a plan. She intends to seduce Ôki, become pregnant, bear Ôki’s child and give it to Otoko. She hopes that Otoko may thereby get rid of her trauma. But she also wants to take her revenge on the man who had harmed her beloved. Secretly she gets acquainted with Ôki’s son, invites him to Kyoto and seduces him. Then she calls his parents and tells that he had promised to marry her.
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Elegant and educated bachelor, Charles Swann, moves in the most powerful and fashionable circles of Paris in the 1890’s. When he falls in love with Odette de Crecy, a courtesan, his friends warn him against marriage. Proving himself a silly and socially-foul goose, Swann ducks his social responsibilities, Odette ensnares him, and he is gently but firmly cast out of society amidst everyone’s great politeness.
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A witch is put to death in Colonial America, leaving her husband and infant daughter behind. Seventeen years later, the daughter has grown up and stands to inherit money set up by her mother’s family. Now that the stage is set, the mother wants to return to life by taking over her daughter’s body.
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Richard Field is a successful businessman who has become romantically involved with younger employee Diane Lovering, but he is unable to persuade his grasping wife to grant him a divorce out of his dysfunctional marriage. Diane meets dashing rancher Mike Bradley through his wise-cracking pal Johnnie on a South American ocean voyage, and they begin a shipboard romance that carries over to his Argentinian ranch. Diane decides to return to New York and tell Richard in person that she intends to marry Mike Bradley. When Diane gets there Richard surprises her with a wedding ring and the morning newspaper citing Mrs. Field is in Reno obtaining a divorce. Richard had to agree not only to a large monetary settlement but was forbidden to see his sons. Diane didn’t have the heart to tell Richard about Mike and decides to marry him. Diane writes a “Dear John letter” to Mike explaining a calculated mercenary decision that she prefers the position and financial status that Field’s can offer her …
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Young Emmanuelle and her friend Coco visit a friend whose sculptor husband is infatuated with one of his plaster creations. Emmanuelle uses her magic to get him interested again, jump starting their love life. Later, Emmanuelle, Coco and Coco’s sister, Paula, travel to a wedding in Africa. They miss their plane to Salima and have to travel by boat, where they all vie for the attention of a male passenger. After Paula misses her chance with him, she travels via rowboat to an African tribal village where her desires are fulfilled.
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Sensual adventures in Africa and New Mexico for Emmanuelle as she learns a sexy secret of her good friend and former lover, Mario.
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The same situation is played out in different cities (New York, Berlin and Tokyo). A lover has to choose whether to commit to a partner who is returning home. In each case there are other people involved, an ex-partner and someone else in a “permanent” relationship, what do they choose to do?
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The stenographer Alice Sycamore is in love with her boss Tony Kirby, who is the vice-president of the powerful company owned by his greedy father Anthony P. Kirby. Kirby Sr. is dealing a monopoly in the trade of weapons, and needs to buy one last house in a twelve block area owned by Alice’s grandparent Martin Vanderhof. However, Martin is the patriarch of an anarchic and eccentric family where the members do not care for money but for having fun and making friends. When Tony proposes Alice, she states that it would be mandatory to introduce her simple and lunatic family to the snobbish Kirbys, and Tone decides to visit Alice with his parents one day before the scheduled. There is an inevitable clash of classes and lifestyles, the Kirbys spurn the Sycamores and Alice breaks with Tony, changing the lives of the Kirby family.
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