Horror

This iconic horror film follows the obsessed scientist Dr. Henry Frankenstein (Colin Clive) as he attempts to create life by assembling a creature from body parts of the deceased. Aided by his loyal misshapen assistant, Fritz (Dwight Frye), Frankenstein succeeds in animating his monster (Boris Karloff), but, confused and traumatized, it escapes into the countryside and begins to wreak havoc. Frankenstein searches for the elusive being, and eventually must confront his tormented creation.
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Baron Frankenstein travels to a new town to meet Dr. Brandt, with whom he had hoped to collaborate. When he learns that Brandt is in a mental asylum he takes a room in a boarding house run by Anna, whose fiance, Karl, is a doctor who works at the asylum. Blackmailing Anna and Karl into helping him, Frankenstein kidnaps Brandt to learn his secrets.
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Last of the Hammer Frankenstein films, this one deals with the Baron hiding out in an insane asylum, so that he may continue his experiments with reanimating the dead, along with inmate Dr. Helder, who has been institutionalized for conducting such experiments.
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This surreal nightmare examines male paranoia. Our hero and title character, Henry, faces a number of horrifying obstacles in meeting someone of the opposite sex, meeting her parents, and procreating. Produced during a one-and-a-half-year period while director David Lynch was a student at the American Film Institute, the film launched him as a major new talent admired by cinephiles and filmmakers all over the world. It stands today as a milestone in personal, independent filmmaking.
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Tom Witzky (Kevin Bacon) is a blue-collar worker, a family man, the most ordinary guy in the world…who is about to be plunged into a shattering encounter with another world. And it doesn’t matter that Tom doesn’t believe in the supernatural. Because something supernatural has started to believe in Tom. After he is hypnotized at a neighborhood party, Tom changes. He sees things he can’t explain and hears voices he can’t ignore. As the horrific visions intensfy, Tom realizes they are pieces of a puzzle, echoes of a crime calling out to be solved. But when his other-worldly nightmares begin coming true, Tom wants out. He desperately tries to rid himself of his eerie, unwanted powers – only to be seized by an irresistible compulsion to dig deeper and deeper into the mystery that is consuming his life. When at last he unearths the truth, it will draw him into the long-buried secret of a ghastly crime, a vengeful spirit… and the lethal price of laying that spirit to rest.
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The film is set during the occupation of Poland during World War II. German soldiers slaughter Michal’s wife, son and mother. Michal and his father avoid death by remaining in the forest. Michal decides to join the resistance but before his first meeting, the Gestapo kill his go-between and chase him. During his escape he gets into an apartment of a pregnant woman and helps her with the childbirth…
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Inmates at a women’s prison run by a corrupt warden and her gang of sadistic guards plan a breakout.
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The Space Shuttle returns to earth, but some of the equipment brought back on it begins to behave strangely. Scientists are unsure what is happening, and decide to take all necessary precautions.
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Malabimba is possessed by the spirit of a deviant ancestor, after a séance unleashes her, who uses the girl as a tool for unmitigated lust, shocking the girl’s family and “nun protector” with suspicious sexually depraved behavior.
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A young woman teams up with an adventurer to find her missing sister in the jungles of New Guinea and they stumble upon a religious cult led by a deranged preacher whom has located his commune in an area inhabited by cannibals.
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French director Jean Rollin’s erotic and surreal vampire yarn stars Olivier Martin as Pierre Radamante, a wealthy hedonist who learns that his scientist father, Georges (Maurice Lemaître), is carrying out experiments to unlock the secret of immortality. And that’s not all: It seems that Georges is in league with a ritualistic society involving vampires and evil alien mutants! Caroline Cartier and Catherine Castel also star.
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When Peter Plunkett’s Irish castle turned hotel is about to be repossesed, he decides to spice up the attraction a bit for the ‘Yanks’ by having his staff pretend to haunt the castle. The trouble begins when a busload of American tourists arrive – along with some real ghosts. Among the tourists are married couple Jack and Sharon. Sharon’s father holds the mortgage on Castle Plunkett, so she’s hoping to debunk the ghosts. Jack, on the other hand, after meeting pretty ghost Mary, is very eager to believe. Can there be love between a human and ghost? Jack and Mary are going to try and find out.
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Sleasy “erotic horror movie”, a young pretty virgin, Helga (Marie Forså) arrives at a castle in Germany. In the castle’s basement, naked women, led by a bitch called Wanda, perform rites with penis shaped candles, while bongos are heard on the soundtrack. People staying at the castle engage in softcore bonking sessions.
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Gabriel returns to Earth to prevent the birth of a child conceived by one of his kind (the Angel Danyael) and one of God’s “monkeys” (a human woman – Valerie). The coming of this child has been prophesied by a monk, Thomas. When the Angel Danyael kills members of Gabriel’s army of angels, Gabriel instead employs the assistance of a teenage girl (Izzy) who has just committed suicide. Gabriel keeps her alive to assist him in his war against Danyael and the other angels which climaxes in a battle in Eden.
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Emily Gault arrives at the Carrell mansion determined to rekindle an old relationship with Guy Carrell, despite the disapproval of his sister, Kate. Guy overcomes his all-consuming fear of being buried alive long enough to marry Emily but soon becomes obsessed again, building a crypt designed to guarantee that he will not fall prey to his most dreaded nightmare. Trying to prove that he has been cured of his phobia, he opens his father’s tomb and is shocked into a catatonic state. His worst fears are realized as he is lowered into a grave and covered over, apparently never to learn that the treachery of someone very dear to him was directly responsible for his predicament.
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