Film-Noir

Nora Prentiss (1947) Vincent Sherman

Nora Prentiss (1947)
Quiet, organised Dr Talbot meets nightclub singer Nora Prentiss when she is slightly hurt in a street accident. Despite her misgivings they become heavily involved and Talbot finds he is faced with the choice of leaving Nora or divorcing his wife. When a patient expires in his office, a third option seems to present itself.
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The Underworld Story (1950) Cy Endfield

The Underworld Story (1950)
Mike Reese, yellow journalist and antihero, prints a story that leads to a gang killing, and is blacklisted from the city papers under suspicion of ties with racketeer Carl Durham. So, with a shrug, he makes the suspicion come true, then elbows his way into the editorship of the local paper in a small town where, opportunely, a sensational murder case threatens to destroy the family of newspaper magnate E.J. Stanton. When a black servant is made the patsy for this killing, Reese helps himself by helping her…but proves a dangerous ally.
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A Double Life (1947) George Cukor

A Double Life (1947)
Anthony John is an actor whose life is strongly influenced by the characters he plays. When he’s playing comedy, he’s the most enjoyable person in the world, but when he’s playing drama, it’s terrible to be around him. That’s the reason why his wife Brita divorced him; although she still loves him and works with him, she couldn’t stand living with him anymore. So when Anthony accepts to play Othello, he devotes himself entirely to the part, but it soon overwhelms him and with each day his mind gets filled more and more with Othello’s murderous jealousy.
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Framed (1947) Richard Wallace

Framed 1947
Mike Lambert, unemployed mining engineer, arrives in a small town with a bang when the brakes fail on the truck he’s driving. After meeting seductive Paula at the La Paloma Cafe, he finds himself in trouble with the law. On the basis of a few burning glances, Paula pays his fine and finds him a room, but her motives are not what they seem. Mike lucks into a job with miner Jeff Cunningham, but against his will he’s drawn ever deeper into Paula’s schemes.
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The Big Caper (1957) Robert Stevens, James Gregory, Mary Costa, Rory Calhoun

The Big Caper (1957)
A con man in debt and down on his luck comes up with what he thinks is the perfect caper–robbing a small-town bank that keeps a lot of money on hand because of the payroll of a nearby army base. He convinces a vicious crime boss to bankroll his scheme, but when he and his boss’ girl move into the town to make preparations for the heist, he begins to have second thoughts about the whole operation.
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