Film-Noir

The Steel Trap (1952) Andrew L. Stone

The Steel Trap (1952)
A Bank officer discovers a flaw in the U.S. extradition treaty with Brazil and decides to take advantage of it. On Friday, he steals a million dollars from the bank, knowing it won’t be missed until the bank opens on the following Monday. He and his wife, who doesn’t know what he has done, then take a flight to Brazil. After some difficulties, they get as far as New Orleans, where his wife discovers the reason for their flight and what he has done. She leaves him and returns home. He is now alone with his conscience, and doesn’t know if he can get back and return the money to the bank’s vault before the start of business on Monday.

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The Tattered Dress (1957) Jack Arnold

The Tattered Dress (1957)
After a wild night, wealthy Michael Reston’s adulterous wife Charleen comes home with her ripe young body barely concealed by a dress in rags; murder results. Top defense lawyer J.G. Blane, whose own marriage exists in name only, arrives in Desert View, Nevada to find the townsfolk and politically powerful Sheriff Hoak distinctly hostile to the Restons. In due course, Blane discovers he’s been “taken for a ride,” and that quiet desert communities can be deadly…

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Nora Prentiss (1947) Vincent Sherman

Nora Prentiss (1947)
Quiet, organised Dr Talbot meets nightclub singer Nora Prentiss when she is slightly hurt in a street accident. Despite her misgivings they become heavily involved and Talbot finds he is faced with the choice of leaving Nora or divorcing his wife. When a patient expires in his office, a third option seems to present itself.

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The Underworld Story (1950) Cy Endfield

The Underworld Story (1950)
Mike Reese, yellow journalist and antihero, prints a story that leads to a gang killing, and is blacklisted from the city papers under suspicion of ties with racketeer Carl Durham. So, with a shrug, he makes the suspicion come true, then elbows his way into the editorship of the local paper in a small town where, opportunely, a sensational murder case threatens to destroy the family of newspaper magnate E.J. Stanton. When a black servant is made the patsy for this killing, Reese helps himself by helping her…but proves a dangerous ally.

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A Double Life (1947) George Cukor

A Double Life (1947)
Anthony John is an actor whose life is strongly influenced by the characters he plays. When he’s playing comedy, he’s the most enjoyable person in the world, but when he’s playing drama, it’s terrible to be around him. That’s the reason why his wife Brita divorced him; although she still loves him and works with him, she couldn’t stand living with him anymore. So when Anthony accepts to play Othello, he devotes himself entirely to the part, but it soon overwhelms him and with each day his mind gets filled more and more with Othello’s murderous jealousy.

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Framed (1947) Richard Wallace

Framed 1947
Mike Lambert, unemployed mining engineer, arrives in a small town with a bang when the brakes fail on the truck he’s driving. After meeting seductive Paula at the La Paloma Cafe, he finds himself in trouble with the law. On the basis of a few burning glances, Paula pays his fine and finds him a room, but her motives are not what they seem. Mike lucks into a job with miner Jeff Cunningham, but against his will he’s drawn ever deeper into Paula’s schemes.

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Ruthless (1948) Edgar G. Ulmer

Ruthless 1948
Horace Vendig shows himself to the world as a rich philanthropist. In fact, the history of his rise from his unhappy broken home shows this to be far from the case. After being taken in by richer neighbours he started to exhibit an obsessive and selfish urge to make more and more money, loving and leaving women at will to further this end.

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Crossroads (1942) Jack Conway

Crossroads (1942)
William Powell plays a dramatic role after years of romantic mysteries, married to the beautiful Hedy Lamarr, is a diplomat being blackmailed by a criminal (Basil Rathbone) and his accomplice (Clare Trevor).

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