Hinchcliffe, the ruthless publisher of a sleazy New York tabloid, is concerned that the ethical journalistic policies of City Editor Randall have caused a drop in circulation. He pressures the newsman to run more sensational stories including resurrecting the twenty year old Vorhees Murder Case. Although the perpetrator’s actions were ultimately judged justifiable, and she has been subsequently living an exemplary life in anonymity, Hunchcliffe insists Randall revisit the story. Randall assigns Isopod, an alcoholic degenerate, to dig up anything lurid that he find. The unprincipled reporter fraudulently insinuates himself into the Vorhees’ home masquerading as a minister and gets the expose he sought. Yellow journalism triumphs, and a decent woman’s name gets dragged through the mud again… with tragic consequences.
Smash-Up: The Story of a Woman (1947) Stuart Heisler, Susan Hayward, Lee Bowman, Marsha Hunt, Drama, Film-Noir, Music
Angie Evans, fast-rising nightclub singer, interrupts her career to marry struggling songwriter Ken Conway. When Ken lucks into a career as chart-topping radio crooner, Angie is forced into idle luxury which proves her downfall. Her potential alcoholism burgeons and Ken remains clueless concerning his responsibility for her problems.
When mobster Walt Radak tries to trick independent trucker Steve Randall into transporting stolen furs, Steve alerts the police, and Walt’s young brother Al is caught and held for a cop-killing. When ruthless Radak tries to extort Steve’s help in clearing Al, Steve and his young wife flee for their lives, only to find that the police are also in pursuit. With every man’s hand against them, Steve and Anne must repeatedly abandon their temporary refuges. Finally, one midnight, the showdown…
Ex-cop Vic Barron crossed the wrong mobsters; his wife and child were killed and he himself scarred, framed and imprisoned. On release, Vic has but one desire, revenge on still-hiding Tino Morelli. The trail leads to the isolated city of Ketchikan, Alaska, where Vic finds his enemy…also the latter’s charming little daughter…and tavern owner Peggy Harding, who’s fascinated by the soft-spoken but volcanic Vic. And someone they’re not expecting has violent designs on them…
Crime of Passion (1957) Gerd Oswald, Barbara Stanwyck, Sterling Hayden, Raymond Burr, Crime, Drama, Film-Noir
Kathy is a smart and tough 1950’s advice columnist at a San Francisco newspaper, with her name plastered on billboards all over the city. One day, Bill Doyle, a Los Angeles detective, walks into her office – it is instant attraction. After marrying Bill, Kathy gives up her career and becomes a homemaker. However, she is not your typical 1950’s homemaker. After hosting several cocktail parties in their San Fernando Valley home, she realizes that Bill is content with his position, and shows no ambition in furthering himself. Kathy will not sit idly by while everyone around her is “moving up in the world”. She personally takes upon herself the task of pushing Bill’s career along, even if it comes down to murder.
The Strange Woman (1946) Edgar G. Ulmer, Hedy Lamarr, George Sanders, Louis Hayward, Drama, Film-Noir, Thriller
Beautiful Jenny Hager finds she can always get what she wants from the men in the 1820’s port of Bangor, Maine. Freed by his death from her drunkard father she soon manoeuvres herself into a position to marry a middle-aged monied local businessman. Though she often uses his money to do good, she continues to consider all other men fair game.
The Big Heat (1953) Fritz Lang, Glenn Ford, Gloria Grahame, Jocelyn Brando, Crime, Film-Noir, Thriller
Dave Bannion is an upright cop on the trail of a vicious gang he suspects holds power over the police force. Bannion is tipped off after a colleague’s suicide and his fellow officers’ suspicious silence lead him to believe that they are on the gangsters’ payroll. When a bomb meant for him kills his wife instead, Bannion becomes a furious force of vengeance and justice, aided along the way by the gangster’s spurned girlfriend Debbie. As Bannion and Debbie fall further and further into the Gangland’s insidious and brutal trap, they must use any means necessary (including murder) to get to the truth.
Le désordre et la nuit / The Night Affair (1958) Gilles Grangier, Jean Gabin, Danielle Darrieux, Nadja Tiller, Crime, Drama, Film-Noir
Vallois, a vice inspector for the Paris police, takes special interest in the plight of drug-addicted Lucky (Najda Tiller), whom he considers to be more victim than criminal. Taking it upon himself to wean Lucky away from narcotics, Vallois also wins her love — and, incidentally, smashes the dope ring responsible for her addiction
Big House, U.S.A. (1955) Howard W. Koch, Broderick Crawford, Ralph Meeker, Reed Hadley, Crime, Drama, Film-Noir
When young Danny Lambert runs away from camp in south-central Colorado, he becomes the object of a park-wide-search by his wealthy father Robertson Lambert. He is found by Jerry Barker and told to wait at an abandoned look-out tower while he goes for help. Instead, Barker calls the father and demands $200,000 ransom. The money is delivered and Barker buries most of it. Meanwhile, the panicky boy has fallen from the tower to his death, and Barker drops the body off a cliff. The FBI, led by James Madden, capture Barker but can’t convict him of kidnapping and he is given only five years for extortion and sent to Casabel Island Prison. There he is assigned a cell with Rollo Lambar, Alamo Smith, Benny Kelly and Machine Gun Mason. The FBI have now traced an affiliation between Barker and Emily Evans, a nurse at Danny’s camp. The five cell-mates, led by Rollo, who plans to kill Benny and dress him in Barker’s clothes to throw off the police, execute an underwater prison escape, and head …
Crime in the Streets (1956) Don Siegel, John Cassavetes, Sal Mineo, James Whitmore, Crime, Drama, Film-Noir
On a city’s mean streets, the boys join gangs at 15. Frankie leads the Hornets: he’s 18, seething, coiled. When a neighbor goes to the cops after seeing one of the Hornets with a zip gun, Frankie vows to kill the old guy, hatching a plan using Lou, who smiles and smokes, and “Baby,” the 15-year-old son of an immigrant shopkeeper. Ben Wagner, the social worker at a neighborhood settlement house, gets wind of the plan and tries to break through to Frankie. Frankie’s brother Richie, who’s about 12, worships and fears Frankie; he also figures out what his brother is up to. Is Frankie doomed to crash and burn at 18?