Fantasy

When Peter Plunkett’s Irish castle turned hotel is about to be repossesed, he decides to spice up the attraction a bit for the ‘Yanks’ by having his staff pretend to haunt the castle. The trouble begins when a busload of American tourists arrive – along with some real ghosts. Among the tourists are married couple Jack and Sharon. Sharon’s father holds the mortgage on Castle Plunkett, so she’s hoping to debunk the ghosts. Jack, on the other hand, after meeting pretty ghost Mary, is very eager to believe. Can there be love between a human and ghost? Jack and Mary are going to try and find out.
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Gabriel returns to Earth to prevent the birth of a child conceived by one of his kind (the Angel Danyael) and one of God’s “monkeys” (a human woman – Valerie). The coming of this child has been prophesied by a monk, Thomas. When the Angel Danyael kills members of Gabriel’s army of angels, Gabriel instead employs the assistance of a teenage girl (Izzy) who has just committed suicide. Gabriel keeps her alive to assist him in his war against Danyael and the other angels which climaxes in a battle in Eden.
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Disillusioned and exhausted after a decade of battling in the Crusades, a knight (Max von Sydow) encounters Death on a desolate beach and challenges him to a fateful game of chess. Much studied, imitated, even parodied, but never outdone, Bergman’s stunning allegory of man’s search for meaning, The Seventh Seal (Det sjunde inseglet), was one of the benchmark foreign imports of America’s 1950s art-house heyday, pushing cinema’s boundaries and ushering in a new era of moviegoing.
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The film opens with a montage of protests regarding the Civil Rights Movement and Vietnam War, before cutting to Raoul Duke (Depp) and Dr. Gonzo (Del Toro) speeding down the desert of Nevada. Duke, under the influence of mescaline, complains of hallucinating a swarm of giant bats, before going through the pair’s inventory of psychoactive drugs. Shortly afterward, the duo stop to pick up a young hitchhiker (Tobey Maguire), and explain what they are doing. Duke has been assigned by an unnamed magazine to travel to Las Vegas and cover the Mint 400 motorcycle race. However, they have also decided to take advantage of this trip by purchasing countless drugs, and rent a brand new Chevy Impala convertible. The young man soon becomes terrified of the drug-filled antics of the duo, and flees on foot. Trying to reach Vegas before the hitchhiker can go to the police, Gonzo gives Duke a tab of “Sunshine Acid”, then informs him that there is little chance of making it before the drug kicks in. By the time they reach the strip, Duke is in full throes of his trip, and barely makes it through the check-in; all the while hallucinating that the hotel clerk is a moray eel, and that his fellow bar patrons are hideous lizards in the depths of an orgy.
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Kentaro is a lonely loser and geek. When he’s fired from his job, he also loses his dignity. At his lowest moment he goes out on the town to drink away his misery when he wanders into an abandoned building in the heart of the pleasure district. There he finds a pretty girl doll with skin so soft and warm to touch. Her skin is so lifelike that he can see the veins under the skin… but it is a doll without a heartbeat. In his muddled consciousness, the man sees the doll turn into a cyborg girl and save him from thugs. The doll becomes his guardian angel with a demonic twist as she fulfills his fantasies by becoming a cyborg girl, a swan-lake ballerina, and his girlfriend. This hallucinatory and erotic romance fulfills the man’s final erotic desires. Who is she really? And where will their romance lead them…?
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A Victorian scientist and his young American backer set off in their new earth-boring machine with a short test on a Welsh mountain. Unfortunately the thing is rather more powerful than expected and they end up in an enormous cavern at the centre of the earth. Here they find a race of humans enslaved to evil oversized prehistoric birds with extra-sensory abilities. The travellers decide they can be some help, the more so as at least one of the slaves is very eye-catching.
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At the end of the century, Satan visits New York in search of a bride. It’s up to an ex-cop who now runs an elite security outfit to stop him…
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D, a haunted half-human, half-vampire warrior, wanders the countryside of a feudalistic future, hunting his own kind while battling his own evil nature. Like a rogue samurai, the silent, solitary hero wanders into a small hamlet terrorized by the all-powerful Count, a monstrous vampire lord, and his demonic minions from a castle that casts a long shadow over the countryside. The Count has claimed the human Doris (who wields a mean cutlass herself) as his bride. D becomes her protector and–when she’s captured by the Count’s shape-shifting minions–her savior.
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Francis Ng stars as Chic, who helps his friend Che (Ngai Sing), a Taoist ghostbuster, with various assignments. They both owe gambling debts to the nasty mobster Rabid Hsiung (Tommy Wong), so they’re in desperate need of money, leading them to take on a request from the elderly Taoist master Tang (Richard Ng) to help him capture the Banana Spirit. On a late-night search, the trio is frightened by a demon as well as awakening the Banana Spirit, Muyung Yu-Yu, who takes the earthly form of a beautiful model and seduces Chic. Chic and the ghost become lovers, and she saves his life when he is shot at by mobsters as well as helping him win a great deal of money at one of Rabid Hsiung’s casinos. Hsiung figures out that Yu-Yu has special powers, which he attempts to use for his own benefit, but Chic kills him before he can realize his plans. Unfortunately, Hsiung rises from the grave as a clownish evil spirit looking for revenge, and Yu-Yu’s allotted time on Earth is quickly running out. Lam Ching-ying and Yip Wing-cho co-star in the lively romp.
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Bumbling Jewish mama’s boy researcher Homer acquires a magical watch that enables him to go through time. While traveling through time Homer encounters such notable historical figures as Caesar, King Louis XVI, Eric the Red, and Thomas Cromwell. Meanwhile, a black man in heaven watches Homer’s misadventures on a watermelon television.
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Three beautiful young women are tricked and seduced by Lord Isherwood. When their plan for revenge accidentally kills him, the Lord’s Gypsy protector Natasha places a curse on the three, putting them into a hundred-year sleep. 100 years later, the three are awakened when the American descendants of Lord Isherwood come to visit the family estate. The young ladies want nothing more than to get on with their lives and make up for lost time, but Natasha is not yet ready to let them leave.
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Murray is a male fairy godmother, and he’s trying to help 8-year-old Anabel to fulfill her “simple wish” – that her father Oliver, who is a cab driver, would win the leading role in a Broadway musical. Unfortunately, Murray’s magic wand is broken and the fairies convention is threatened by evil witches Claudia and Boots.
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It tells the story of a general who is about to cut down an old forest for the sake of financial gain, but discovers that the forest is inhabited by invisible spirits.
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With a mad scientist kidnapping children to steal their dreams, only brave young Miette (Judith Vittet) and a kindhearted circus strongman (Ron Perlman) can save them. Part fantasy, part nightmare, this production used more special effects than any other French film to date. Featuring stunning visuals from directors Jean-Pierre Jeunet and Marc Caro, the sci-fi fairy tale was nominated for a Golden Palm at the Cannes Film Festival.
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A modern fable about loneliness, emptiness, alienation, and the demonization of minorities. A young zombie, Otto, crawls out of his grave and unlives on the Berlin streets. There he meets an avante-garde film-maker who gives him a part in her political-porno-zombie movie. Otto discovers information about his past life that allows him to move on. Is it the living or the dead who are the zombies?
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