Erotic

It’s 1930 and two record producers are competing to sign a big contract with the leading singer of the day. One kidnaps the other, thinking it’s in the bag – unaware that his competitor has a twin who will step in to save the day.
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Two young women find themselves struggling to survive in Paris, street-wise Nathalie, a stripper, and naïve Sandrine, a barmaid. Together, they discover that sex can be used to their advantage, and pleasure. Both find positions in the office of a large bank, where bored, under-stimulated, prey are easy pickings. After making their way though several layers of executives at the bank, with destructive, and lucrative, results, they approach Christophe, scion to the bank director. What they don’t know is that Christophe is a manipulative voyeur, whose last two lovers set themselves on fire when he rejected them. A connoisseur of high-class orgies, Christophe is only interested in new talent to satisfy the appetites of all whom he controls. In Christophe, the girls have found an opponent who knows all their wiles, and will challenge their simple under-class friendship with levels of jealousy and ecstasy that they have never experienced before. Will they survive?
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François is a film-maker, usually impassive and without affect. He’s making a film about women’s pleasure as they transgress taboos. He doesn’t know that two fallen angels who’ve been sent to upend him are manipulating his interest. He interviews young women, video tapes screen tests, and selects several for the film. The erotic scenes with them generate off-screen dynamics that may overwhelm the project. His wife is at first ignorant of his venture, then she’s put off, and then becomes his assistant. The fallen angels are always close at hand: is François’s ruin inevitable?
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Fed up with her present lifestyle, and more particularly sexually unsatisfied by her boyfriend Fred, Sandrine decides to find a new way in life. Intrigued by her friend Sophie, who tells her about her sexual experimentations, she will find, through various encounters, new pleasures and new experiences, whether physical or spiritual.
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Woman has to choose between being a prostitute or posing nude for a painter, in order to finance an expensive surgery for her son, his only chance to survive.
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Carlos and Solange, childhood sweethearts, marry after a chaste courtship. On their wedding night, Solange refuses to make love to him. First he pleads, then in anger he rapes her. She says she adores him, but, even after months of marriage, can’t endure his touch. To prove to herself she’s not frigid, she begins a daily routine of seducing strangers on public busses; she also takes Carlos’s best friend to a motel. Carlos figures out that she’s unfaithful and, armed, confronts Solange. Meanwhile, she seeks psychiatric help because she feels no remorse. Will there be violence and death, a psychological breakthrough, or more bus rides?
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Niccolò Vivaldi is a cello player and he plays in Arena di Verona Orchestra. But he is not the first and neither the second cello. He is frustrated. Nobody can remember his face, nor his name. Niccolò is married to Costanza, who is really beautiful and he takes some pictures of her naked. Later he shows the pictures to a friend and so he feels better. He starts to write a comic opera called “Il merlo maschio” only to discover later he had written Rossini’s “La gazza ladra”. To maintain his self-esteem he can only show his wife…
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The Joy of Torture is an anthology that is made up three separate stories that all intersect: The first segment is about Shinza who was hurt while working when a log hit him on the head and now sister Mitsu is forced give herself to her brothers boss Mr. Mino in order to help pay for Shinza’s doctors bills. The second segment is about the arrival of mother Reiho and her servant Rintoku at the Jukuin monastery. The monastery is located new to e temple inhabited by priest and one day when one of them named Shunkei runs by Reiho he arouses something inside of her. The final segment is about a tattoo artist named Horicho who has just given Kimicho his greatest tattoo to date. While showing his work off to a group of people, a man named Lord Nambera walks by mocking the tattoo and it lack of realism.
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The fifth shogun searches for a woman who would love him for the person he is, and not because of his title and rank. With over a hundred women to choose from,who will bare him a son and become number one? A tragic love story involving the fifth shogun of the tokugawa dynasty and a woman who became one of his concubines.
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In the tradition of JOY OF TORTURE, this film presents three stores of sadism and perversion taking place in Edo during a time of civil war. The first story is about doomed lovers, the second is about a noblewoman who likes to do it with hairy midgets and imported black slaves because of a certain incident in her past and finally the third story is about the marvel of caesarean section.
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Four intercontinental airplane stewardesses based in New York fly to various sexual experiences all over Europe, including Zurich, Copenhagen, Rome and Munich. Each flight seems to have only one or two stewardesses.
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After a brief description of the legends of Bigfoot by the narrator, this film goes on to show what the hairy monster might really be doing with his time in the woods: watching women get naked and have sex. After spying on a couple of college girls sleeping together in a remote forest cabin, Bigfoot then stumbles across a couple having sex in the woods. After he chases off the man to have a little fun of his own with the woman, the film then leaves Bigfoot to follow the exploits of the two college girls as they encounter a troupe of skinny-dipping hippies.
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Siblings Kristy and Jeffrey are buying supplies at a remote desert gas station when some members of a biker gang come cruising in. The bikers recognize Kristy, who used to be the main squeeze of the gang’s leader before she ran away. The pair get away, but the bikers find out that they’re living in a nearby commune, and start making their battle plans to bring Kristy back.
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Before the advent of modern-day pornography, a vast and rapidly-paced world of smut peddling was the norm, complete with its own secret history. This documentary reveals the untold story of American cinema’s gloriously sordid cinematic past. Starting in the 1920s, expert exploiteer David F. Friedman and Henenlotter navigate us through more than five salacious decades of skin flicks. It’s the true story of dirty movies, traced in elegant detail from the bizarre locations where these nudie shorts were screened to the ongoing legal battles fought by their promoters. And of course there are the stories of the innovators themselves, people who often risked their own security and livelihood to make these films, believing in some way that what they were doing wasn’t a ‘bad’ thing – and that it could rake in some dough.
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Alice is brought back to her family after she is rescued from the men that kidnap her, but her nightmare is far from over since she continues to have constant flashbacks of her ordeal. She resents her parents because she believes they wouldn’t pay for her ransom, since that is what she heard her captors say through a wall when she was kidnapped. Coming back to normal life is not easy for her because she has to deal with her parents, her boyfriend, and mix feelings she had for one of the captors that she had sex with in order to survive.
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