In order to assign him to a dangerous mission, a CIA agent is subjected to an intervention of plastic surgery, and the rumor that has been executed for his role in the death of a fellow spreads. With the new face comes in the home of his wife, claiming to be a brother of the deceased, but the woman has remarried …
Andy (Pat Boone) is an arrogant pop singer about to be divorced by his wife (Barbara Eden) who treas his staff badly. On the same night he starts a job at a theater in Los Angeles his infant son is kidnapped. Despite requests from the lead police officer on the case, Lieutenant Bonner (Jack Klugman), Paxton plays along with the kidnappers as they string him along even though they are willing to kill.
La moustache (2005) Emmanuel Carrère, Vincent Lindon, Emmanuelle Devos, Mathieu Amalric, Drama, Mystery
Marc is sitting in his bath one morning and asks his wife, “how would you feel if I shaved off my mustache?” She doesn’t think it’s a great idea, for the 15 years they’ve been married, she’s never known him without his ‘stache. He shaves it off anyway, but when he sees his wife, she doesn’t notice, neither do their friends at dinner that night, neither do his co-workers. Marc finally flips out, shouts at everyone, tells them he’s tired of their little joke, and what do they really think. His wife and co-workers are appalled, what is he talking about, he’s never had a mustache. In fact, he’s imagining other things as well, or is he?
The Big Boss is Jim Maloney (Otto Kruger), who pulls all the political strings in an unnamed major metropolis. Maloney’s chief antagonist is scrupulously honest “reform” governor Bob Dugan (John Litel). The fact that Maloney and Dugan are actually brothers, orphaned in childhood and raised separately, adds both texture and poignancy to their current adversarial relationship. Intending to reveal his fraternal ties to Dugan at a crucial moment in the latter’s anti-corruption campaign, Maloney is ultimately defeated by the forces of Righteousness. Outside of the always dependable Otto Kruger and John Litel, the film’s best performance is delivered by the underrated Gloria Dickson as a fairly realistic newspaperwoman.
Table for Five (1983) Robert Lieberman, Jon Voight, Richard Crenna, Marie-Christine Barrault, Drama, Romance
J. P. Tannen takes his three children for a vacation cruise. They usually live with their mother and step-father, but now J. P. feels capable of taking them. Emotional tragedy strikes, causing battles parent against parent, and parent against child. J. P. tries to show his children that he loves them.
Film version of playwright Tennessee Williams’ “The Milk Train Doesn’t Stop Here Anymore” involves very wealthy Flora ‘Sissy’ Goforth, supposedly dying, and living in a large mansion on a secluded island with her servants and nurses; into her life comes a mysterious man, Angelo Del Morte and “the Witch of Capri.” The mysterious man may or may not be “The Angel of Death”.
It was the story of a very rich young man who falls in love with a couple who are at college with him. He ‘plagiarises’ them in the sense that in the end he manages to go to bed with both of them. But the young man has problems – there’s a suggestion that he killed his parents, who were so much in love that he felt excluded.
Muffin’s wedding to Dino Corelli is to be a big affair. Except the aging priest isn’t too sure of the ceremony, only the families actually turn up as the Corelli Italian connection is suspect, security guards watch the gifts rather over-zealously, and Dino’s grandma expires in bed just as the reception starts. Could be quite an occasion.
Exploring the somewhat darker and more mysterious side of the Lewis Carroll’s classic book, the movie follows Alice Liddell (the book’s inspiration) as an old woman who is haunted by the characters she was once so amused by. As she thinks back on it, she starts to see her relationship with the shy author/professor in a new way and realizes the vast change between the young Alice and the old.
Bullets or Ballots (1936) William Keighley, Edward G. Robinson, Joan Blondell, Barton MacLane, Crime, Drama, Film-Noir
After Police Captain Dan McLaren becomes police commissioner former detective Johnny Blake knocks him down convincing rackets boss Al Kruger that Blake is sincere in his effort to join the mob. “Buggs” Fenner thinks Blake is a police agent.