Drama

Two young servants, two sisters hysterical unites a very tender friendship, have not been paid for three years ruined by their bosses. Required to stay there because of the money they are owed, they multiply in the house the misdeeds of all kinds. “Sir” is low, which led his family to the rout. It supports everything provided we never forced to see the truth. “Madame,” she any cash, because it is bounded and interested. She also can not become aware of reality. “Mademoiselle” finally married, but recently separated from her husband.
She tries to be compassionate, understanding, generous. It is, however, just as much, and probably more than others, allergic to this eternal truth that continues to flee. It is, moreover, unconsciously jealous of the affection of the two sisters. In this closed universe bursts terrible tragedy. The husband of “Mademoiselle” returns. He brings with him of purchasers in the house for sale. Given this perspective, the sisters have taken a real amok crisis. While the men were busy signing the papers, they massacred their two bosses.
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Young Emmanuelle and her friend Coco visit a friend whose sculptor husband is infatuated with one of his plaster creations. Emmanuelle uses her magic to get him interested again, jump starting their love life. Later, Emmanuelle, Coco and Coco’s sister, Paula, travel to a wedding in Africa. They miss their plane to Salima and have to travel by boat, where they all vie for the attention of a male passenger. After Paula misses her chance with him, she travels via rowboat to an African tribal village where her desires are fulfilled.
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Sensual adventures in Africa and New Mexico for Emmanuelle as she learns a sexy secret of her good friend and former lover, Mario.
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The same situation is played out in different cities (New York, Berlin and Tokyo). A lover has to choose whether to commit to a partner who is returning home. In each case there are other people involved, an ex-partner and someone else in a “permanent” relationship, what do they choose to do?
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João Canijo latest movie adapts a Greek tragedy “Ifigénia en Aulis” to a provincial Portuguese family that has to deal with the Russian Mafia after a deal went wrong. In a place where everything is bought and sold even the youngest daughter may have to be offered for prostitution to make up for a deal that went terribly wrong. “Noite Escura” deals with the emotions of a small family that runs a provincial whorehouse, having to sell their youngest in order to survive.
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The stenographer Alice Sycamore is in love with her boss Tony Kirby, who is the vice-president of the powerful company owned by his greedy father Anthony P. Kirby. Kirby Sr. is dealing a monopoly in the trade of weapons, and needs to buy one last house in a twelve block area owned by Alice’s grandparent Martin Vanderhof. However, Martin is the patriarch of an anarchic and eccentric family where the members do not care for money but for having fun and making friends. When Tony proposes Alice, she states that it would be mandatory to introduce her simple and lunatic family to the snobbish Kirbys, and Tone decides to visit Alice with his parents one day before the scheduled. There is an inevitable clash of classes and lifestyles, the Kirbys spurn the Sycamores and Alice breaks with Tony, changing the lives of the Kirby family.
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Arnold Boult is determined to make his son a success at all costs. He commits arson, causes two suicides, and bribes people. His wife, unable to leave him, becomes alcoholic and dies. His son is killed. After doing time in prison he searches for his illegitimate grandson.
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Maurice (Michel Piccoli) is a composer, and a longtime member of the resistance. By chance, he shares a house with his teenager granddaughter. Claire, at 17, is eager to experience all sorts of things and the sooner the better, and rebels against anyone who wants to stop him. Between the swimming and the first encounters with the boys, she spends her life, hosted by his grandfather after being orphaned. But this interaction is difficult: both avoid themselves in their large house, escaping through the windows if necessary, living in mutual incomprehension. Yet, they have something in common: both are insurgents in their own way.
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The line between fantasy and reality is once more blurred in this Belgian/French drama about a professor of literature who develops an obsession with a beautiful woman he meets (or imagines meeting) in the woods. He has an affair with this woman, but before he can run off with her, his daughter, who is an object of his incestuous desire (as several daydream sequences make clear), kills the stranger. Perhaps, though, his daughter only kills his daydreams when she gets married.
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Sandra Demarest arrives at the Caldwell estate, and announces to Mark Caldwell that she was secretly married to his nephew James, who recently died. Mark does not believe her, but allows her to remain at the manor while a search is made for a missing will that would prove her claim. Sandra befriends James’ sister, Julie, who tells of strange noises and agonized screams from the laboratory wing of the estate. Between verbal duels with Mark, Sandra secretly investigates the lab and learns that ominous things really are happening.
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Rosalie is amicably divorced, dividing her time between her mother’s house, with her siblings and small daughter, and César’s. He’s self made, a scrap iron king, outgoing, amiable, in love with her. Enter David, an artist and Rosalie’s flame before her marriage. In a quiet, brooding way, he seeks to reclaim Rosalie. César’s jealous outbursts and attempts at cunning backfire and send Rosalie into David’s arms. César keeps trying: he buys Rosalie’s childhood seaside vacation home as a gift, wins her back, then must ask David to join them so Rosalie will be happy. When Rosalie discovers César and David’s complicity, she again asserts her freedom, leaving the men alone together.
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French civilization in the desert. Saganne is of peasant stock, with courage and a forceful will. In 1911, he volunteers and is posted to the Sahara under the aristocratic Colonel Dubreuilh. He catches the eye of Madeline, the daughter of the regional administrator. In the desert, Saganne is a leader, with the respect of Arabs, including Amajan, an independent warrior. After resourceful campaigns, Saganne goes on a diplomatic mission to Paris, where he has an affair with a journalist. Back in Africa, he leads a gallant defense against Sultan Omar, is awarded the Grand Cross of the Legion of Honour, and marries Madeline. Then the Great War puts at risk his success and happiness.
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Ditte (Lene Maria Christensen) owns a gallery, has a loving boyfriend (Pilou Asbæk) and her dream job in New York is within reach. But Ditte is also the youngest generation of the famous bakery dynasty, Rheinwald, and when her beloved, but dominating father (Jesper Christensen) comes down with a serious illness, Ditte is faced with the grueling decision: To pursue her own dreams, or to continue the legacy of her family. A Family is a moving and modern story about complicated family ties, the new wife, the new kids – and about following your dreams to find your own place in history.
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Thomas and Alfred were born around the same time; a fire in the nursery had nurses scrambling to save the newborns. Because he felt that he deserved Alfred’s good fortune at being born into a wealthy family, Thomas conceives the idea that he and Alfred were switched at birth, and he can’t help seeing that his unhappiness should be Alfred’s, from the loss of his sister to his inability to have a relationship with the woman Evelyne. So, as his life is ending, he formulates a plan of revenge against his bitter enemy, his lifetime adversary, the man who stole his existence.
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Towa lives in a peculiar sanatorium after committing suicide. Convalescing in sanatorium, she is informed that she has only 7 days to live. Isolated within their worlds, strange people live in this sanatorium and try to avoid making any contact with her. However, Claude a man who lost his power of speech feels sympathetic towards her and their every lovable things give true colors to the life and inspire Towa’s honest desire for the life.
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