Drama

Filming in the USA, Henri and Françoise meet and fall in love with each other.
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Having packed up her possessions to move in with her lover, Laure is more unsettled than she appears. Needing to get out and have a change of scenery, she jumps in her car to go to have dinner with friends–only to become stuck in a terrible traffic jam. Laure completely forgot about the mass transit strike that has thrown the city into chaos. But Laure feels good in her car, the only place she has for herself right now. As she takes in the sights and sounds around her–the blare of horns and arguments, the shimmer of lights and camaraderie–Laure notices a calm and self-assured stranger, Jean, approach her car. Soon thereafter, she opens her car door door to the man who–that night–will change her life.
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Jean-Louis and Anne have had their fling and separated. Now 20 years have passed. He is still dating various women. She is now a big time director whose most recent film was a very expensive bomb. She comes up with the idea of making a romance based upon her fling with Jean-Louis. She contacts him to gain his permission. Jean-Louis is still in racing and goes away for a desert rally while she begins filming. She finds the mood of their romance difficult to recapture in her film.
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The movie is set in the Pacific Northwest; specifically, Washington state. We know this from a glimpse of a license plate, the craftsman architecture of the two houses, and the mature, rich landscapes in between. The setting, like the scrutiny of the four main character’s lives, is defined by the narrowness of the camera’s field-of view. The one commercial street in town is only seen in the reflection of a store window, a shot of a non-descript auto-yard, or the tunnel of a tree-lined suburban sidewalk. The lush, wooded landscape is understood as an immediate presence in the domestic and professional lives of the characters; a steep hill, railroad tracks, a rushing stream, and a path over an old steel bridge are revisited again and again by the characters in their capacities as lovers, parents and friends.
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Long before the events of the movie Ôki, who was approaching middle age, had a relation to 16-year-old Otoko. She got pregnant, but the child was stillborn. Their relation stopped at the same time. Much later Ôki had become a famous writer, not least because of a novel about this love story. Otoko had become a famous painter. But she had never overcome the double early trauma and had become a Lesbian. Her favourite student and beloved one was the beautiful Keiko. 24 years after the early love Ôki goes from Tokyo to Kyoto to meet Otoko. The meeting is polite with secret emotional shadows. Keiko makes a plan. She intends to seduce Ôki, become pregnant, bear Ôki’s child and give it to Otoko. She hopes that Otoko may thereby get rid of her trauma. But she also wants to take her revenge on the man who had harmed her beloved. Secretly she gets acquainted with Ôki’s son, invites him to Kyoto and seduces him. Then she calls his parents and tells that he had promised to marry her.
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The movie is based on the infamous “Stanford Prison Experiment” conducted in 1971. A makeshift prison is set up in a research lab, complete with cells, bars and surveillance cameras. For two weeks 20 male participants are hired to play prisoners and guards. The ‘prisoners’ are locked up and have to follow seemingly mild rules, and the ‘guards’ are told simply to retain order without using physical violence. Everybody is free to quit at any time, thereby forfeiting payment. In the beginning the mood between both groups is insecure and rather emphatic. But soon quarrels arise and the wardens employ ever more drastic sanctions to confirm their authority.
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Linda Vargas picks up Ortiz in a bar where she works in a lesbian show with Maria Toledano. She seduces him, phones the police and kills herself. Ortiz is held on suspicion of her murder. Ortiz’s wife, Rosa, visits a friend of Linda’s, the Countess Anna de Monterey who tells her how Linda went into a spiral of sex and drugs after being assaulted by Ortiz as a young girl at a fair-ground. Linda became the Countess’s lover, then had a disastrous love affair with Alberto, the Countess’ boyfriend. Rosa also meets Maria, who holds Linda’s diary, where she relates how a fake Doctor turned her away from drugs and into a nymphomaniac.
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In Los Angeles, Annie and Darren are a married couple in a comfortable relationship that’s lost its spark. They talk constantly, express affection verbally, start the day with high-end coffee, end the afternoon with gelato, shop at the farmer’s market, prepare dinner as a team, do crossword puzzles, and talk in bed. Darren wonders if a one-night stand would help bring more sex to their marriage. Soon, the two of them are laying out the ground rules and talking through the mechanics of each finding a lover for one night. They agree to give each other no details about the experience. The night comes. Will this give their relationship a needed boost?
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Beautiful, young Irne St. Claire enlists Holmes’ and Watson’s help for her father, a former veteran of the Great Indian Mutiny, who has become a hopeless opium addict. His drug dependence is a direct result of guilt and fear arising from a blood pact of secrecy made during the siege of Agra in 1857 in which he was party to the theft of a maharajah’s treasure, murder, and betrayal. When an avaricious co-conspirator dies under mysterious circumstances, St. Clair is certain that the curse will strike him next.
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Jorge Queiroga’s magic realist drama Behind the Clouds concerns young Paulo, a little boy bereft of his father, whose widowed mother ardently refuses to grant him permission to meet his paternal granddad. When Paulo reaches the age of 10, he expressly defies his mother’s orders by making a secret journey to his grandfather’s home, in a remote part of the country. Once there, he finds a fantastic invention: a little red car with the ability to take him soaring high into the clouds, and the added ability to send him spiraling backward in time. Alas, Paulo’s grandfather grows increasingly distraught over the time travel element, and in the process, Paulo arrives at some sobering and disillusioning realizations about the mystery surrounding his clan.
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An older European woman becomes enchanted with a young Dominican woman who must struggle to make ends meet. Love brings a flow of entanglements in a drama which unfolds like palm trees in an irresistible storm.
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Spain conquered the seas, found a new world and different realities than the one known in Europe. But a question needed to be answered with what they found in those new territories: do the Indians have souls? The Church, bound to protect and convert the natives and the conquerors who treated them like slaves and thought they were only merchandising, expose their arguments and reasonings at what would be known as the Vallidolid controversy. Between them, there’s a cardinal hearing both parts and trying to get reasonable answers from this critical question.
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Based on an actual strike against the Empire Zinc Mine in New Mexico, the film deals with the prejudice against the Mexican-American workers, who struck to attain wage parity with Anglo workers in other mines and to be treated with dignity by the bosses. In the end, the greatest victory for the workers and their families is the realization that prejudice and poor treatment are conditions that are not always imposed by outside forces.
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Shizuka is the aristocratic wife of the president of a large company. When she wants to divorce her domineering husband, he orders his employee Yoshi, the son of an adult toy store owner, to train his wife to become sexually submissive. Yoshi has been rendered impotent due to a childhood trauma resulting from his killing a black American soldier who had been having sexual relations with his mother. During the course of his training of the masochist Shizuka, Yoshi recovers from his affliction.
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Elegant and educated bachelor, Charles Swann, moves in the most powerful and fashionable circles of Paris in the 1890’s. When he falls in love with Odette de Crecy, a courtesan, his friends warn him against marriage. Proving himself a silly and socially-foul goose, Swann ducks his social responsibilities, Odette ensnares him, and he is gently but firmly cast out of society amidst everyone’s great politeness.
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