Drama

In eighteenth-century France a girl (Suzanne Simonin) is forced against her will to take vows as a nun. Three mothers superior (Madame de Moni, Sister Sainte-Christine, and Madame de Chelles) treat her in radically different ways, ranging from maternal concern, to sadistic persecution, to lesbian desire. Suzanne’s virtue brings disaster to everyone in this faithful adaptation of a bitter attack on religious abuses by the Enlightenment philosopher Denis Diderot.
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With his marriage to Audrey almost at an end, Ben begins a torrid affair with Mercedes, a young French student in his writing class. The affair soon spins out of control, their emotions and Ben and Audrey’s family hanging in the balance.
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The inhabitants of an institution in a remote country rebel against their keepers. Their acts of rebellion are by turns humorous, boring and alarming. An allegory on the problematic nature of fully liberating the human spirit, as both commendable and disturbing elements of our nature come forward. The film shows how justifiable revolt may be empowering, but may also turn to chaos and depravity. The allegory is developed in part by the fact that the film is cast entirely with dwarfs.
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Francis Bernardone (Bradford Dillman) is the son of a wealthy cloth merchant in Assisi, who gives up all his worldly goods to dedicate himself to God. Clare (Dolores Hart) is a young aristocratic woman who, according to the film, is so taken with St. Francis that she leaves her family and becomes a nun. By this time (1212 A.D.), St. Francis has a well-established reputation for his vows of poverty. The movie goes on to note miracles (such as the appearance of the stigmata on Francis’s hands and feet) and other aspects of his life, up to and including his death on October 3, 1226.
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In Paris, the thirty-two years old travesty Stéphanie a.k.a. Pierre is a streetwalker that lives with the Egyptian gay hustler Djamel and the Russian gay Mikhail that works in a restaurant. When the hospital where her mother Liliane is terminal calls her, she travels with her two lovers to the countryside to look after her dying mother. While at home, she recalls her childhood and how she met Djamel and Mikhail.
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Marie leads a calm and happy life withe her boyfriend in a nice suburban neighborhood. After a night out in a bar with her colleagues, she wakes up dizzy, in a cab, with no memories of the night. What could Marie say to her boyfriend Richard, when he suspects her of cheating on him? What if Antoine, a simple auto parts delivery man, has the key to this enigma.
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By 1812, Napoleon’s forces controlled much of Europe. Russia, one of the few countries still unconquered, prepares to face Napoleon’s troops together with Austria. Among the Russian soldiers are Count Nicholas Rostov and Prince Andrei Bolkonsky. Count Pierre Bezukhov, a friend of Andrei’s and self-styled intellectual who is not interested in fighting. Pierre’s life changes when his father dies, leaving him a vast inheritance. He is attracted to Natasha Rostov, Nicholas’s sister, but she is too young, so he gives in to baser desires and marries the shallow, manipulative Princess Helene. The marriage ends when Pierre discovers his wife’s true nature. Andrei is captured and later released by the French, and returns home only to watch his wife die in childbirth. Months later, Pierre and Andrei meet again. Andrei sees Natasha and falls in love, but his father will only permit the marriage if they postpone it for one year until Natasha turns 17.
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The soldier Nick Garcos returns back home from the war very happy with gifts for his parents Yanko and Parthena Garcos and money in his pocket to open a business and get married with his girlfriend Polly Faber. Out of blue, Nick realizes that his father lost both legs and Yanko, who was a truck driver, tells that he was cheated by the dealer Mike Figlia in the San Francisco’s market when he delivered a truckload of tomatoes and was not paid. He believes that his accident was provoked by Figlia’s gangsters. He also tells that he sold the truck to a driver named Ed Kinney that has not paid him. Nick meets Ed and tells that he will bring the truck back, but Ed proposes a deal with apples, where they may earn a great amount. Nick invests his savings in another truck and buys apples from a Polish farmer. They need to drive directly to the market in San Francisco without sleeping to keep the fruits fresh, but Ed’s truck has problem on its axle and Nick arrives first.
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In Monte Carlo, Theo Wilkins recruits his young protégé Paul Mason – just released from prison – to help him rob the famous casino of $4 million. The plan is straightforward. On the night of the Governor’s Ball, Theo will create a distraction in the casino by having one of the team collapse requiring urgent medical attention. During that time Paul and another member of the crew will get the money from the vault. When the ambulance arrives, the money will leave with the sick man. The plan is a good one but not everyone will survive the robbery and no one will get rich from it.
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A satire of American news reporting, Covert Agencies, and political system. The theft of two suitcase sized nuclear weapons, and their sale to a terrorist group, leads TV Newsman Patrick Hale on an international chase to track them down, and uncover the twisting maze of apparent involvement of US Government agencies.
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In World War II, a group of Nazi officers come up with a propaganda event in which an all star Nazi team will play a team composed of Allied Prisoners of War in a Soccer (Football) game. The Prisoners agree, planning on using the game as a means of escape from the camp.
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Jim Piersall is groomed by his loving but hard-driving father (living vicariously through his son) to play major league baseball. His desire to succeed to please his father leads to mental illness and a nervous breakdown. Can he overcome those difficulties and return to the major leagues?
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The plot consists of a Rashomon-like investigation into the life of a man found dead after having been hurled from a train. As security agents, policemen and a medical examiner begin to piece together his identity, three accounts emerge: one set during World War II, one in the immediate aftermath of the war and one in contemporary Poland. In each, the victim seems to have been a mysterious, ambiguous presence, of shifting loyalties and suspicious connections, who invariably set himself against the ruling powers of the time. Critics of the day attacked the film for its depiction of a world rife with secret agents and hidden enemies – a favorite Stalinist theme – yet the film seems rather to insist on how heroism or villainy are so often matters of point of view and timing.
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An autobiographical docudrama about an attempt to remake Alain Resnais’ 1959 film Hiroshima Mon Amour.
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Stanislas Previne is a young sociologist, preparing a thesis on criminal women. He chooses Camille Bliss as his subject of study and begins to visit her in prison for interviews. Camille became acquainted with trouble at a young age and justifies her actions by “fate-bets.” She is currently in prison for allegedly murdering one of her lovers. As she tells Stanislas of her life and love affairs, his interest in her grows to more than just professional. Can he resist her charm?
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