Drama

Strangers When We Meet (1960) Richard Quine, Kirk Douglas, Kim Novak, Ernie Kovacs, Drama, Romance

strangers-when-we-meet-1960
The awarded architect Larry Coe lives a boring marriage with his wife Eve Coe and their two young sons in the suburb. Larry is designing and constructing an unique house to the successful writer Roger Altar (Ernie Kovacs) on the top of a hill. Margaret ‘Maggie’ Gault is a sexy blond sexually neglected by her husband Ken Gault that lives in the same neighborhood and they have a young son.
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The Bad and the Beautiful (1952) Vincente Minnelli, Lana Turner, Kirk Douglas, Walter Pidgeon, Drama, Romance

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Told in flashback form, the film traces the rise and fall of a tough, ambitious Hollywood producer Jonathan Shields, as seen through the eyes of various acquaintances, including a writer James Lee Bartlow, a star Georgia Lorrison and a director Fred Amiel. He is a hard-driving, ambitious man who ruthlessly uses everyone – including the writer, star and director – on the way to becoming one of Hollywood’s top movie makers.
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Uncut Family (2004) Costas Zapas, Maria Dima, Alex Kelly, Dimitris Yiannakopoulos, Drama

uncut-family-2004
“Uncut Family” focus upon a three member family that is presented in its most sensitive and raw form, right at the point where its apparent stability collapses. On the pretext of uncovering the relationship the young boy has with his mother and father, Zapas dares in the five chapters of his movie (The Son, The Father, The Mother, The Father and Son, The Holy Family) to draw attention to an endo-family sexuality which stands outside normal societal taboos, mapping a transcendental intra-family universe, painting with a regardless realism the cosmology of a contemporary world less remote than we imagine and closer than we could tolerate.
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Chungking Express / Chung Hing sam lam (1994) Kar-Wai Wong, Brigitte Lin, Takeshi Kaneshiro, Tony Leung Chiu-Wai, Comedy, Drama, Romance

chungking-express-1994
Wong Kar-Wai’s movie about two love-struck cops is filmed in impressionistic splashes of motion and color. The first half deals with Cop 223, who has broken up with his girlfriend of five years. He purchases a tin of pineapples with an expiration date of May 1 each day for a month. By the end of that time, he feels that he will either be rejoined with his love or that it too will have expired forever.
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