Drama

A plate comes to life with the ability of telekinesis and TYLER curtis Duncan was an extra in it.
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The film focuses on the fate of three characters whose emotions are numb because of the blows of life and beings around them. None of them has the courage to change their lives, but their mutual encounter give them the chance to get out of this emotional drowsiness.
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After his daughter died in a hit and run, Freddy Gale has waited six years for John Booth, the man responsible, to be released from prison. On the day of release, Gale visits Booth and announces that he will kill him in one week. Booth uses his time to try and make peace with himself and his entourage, and even finds romance. Gale, whose life is spiralling down because of his obsession towards Booth, will bring himself on the very edge of sanity. At the end of the week, both men will find themselves on a collision course with each other.
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Sonia, a girl from St Petersburg, decides to seek a better life in western Europe. She first gets a job at a car dealer in Germany. But she is suddenly kidnapped and sold into sexual slavery. She will be dragged from country to country and resistance will only bring her misery and humiliation.
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Villa Amalia is the story of Ann, a musician, whose life is turned upside down by a kiss. When she sees Thomas kissing another woman, Ann makes a clean break, leaving him and everything else far behind her. Suddenly unsure of everything that seemed so certain, Ann knows only that she must change her life and become someone else to find herself. With her music and the friendship of Georges, who pops out of her distant past, she sets off on a journey that will take her to an island where the Villa Amalia stands.
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10 to 11 is the story of a passionate collector Mithat and the concierge of the building, Ali. For Mithat Istanbul is as vast as his collections and for Ali is nothing more than a few blocks around the building. When the neighbors decide to have the building rebuilt with the fear of earthquake and the wish for a more valuable house, Mithat’s most challenging struggle to save his collections begins. The building becomes the common destiny of these two men living alone. Their relationship that begins with the collaboration to save the continuity of the collections changes track with Mithat’s handing Istanbul over to Ali and ends when they involuntarily change each other’s fate.
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Under the bombs, a woman searches for her son. A man accompanies her. They have nothing in common. Toni is Christian and dreams of leaving the country. Zeina is Shiite, and has emigrated to Dubai. Back in Lebanon to try and save her son, she realizes she doesn’t want to leave anymore. And yet, despite this all, Toni and Zeina will love each other, as a kind of response to the death striking all around them.
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Frieder and his wife Nina, a doctor, are fixing up their house, though their relationship is obviously strained. Instead of picking up their young daughter Charlotte, Nina drives off to visit her brother Christoph in an isolated cabin. From there, she cycles to a sports hotel in the woods where she stays. Aimlessly wandering around the hotel, she has a brief encounter with an old tennis pro who has been giving demonstrations. Her brother, Frieder, and Charlotte find her, but she does not come home with them. After all the old windows have been removed, Frieder rejects the replacement ones that are delivered. Frieder has a liaison an old girlfriend Maria, who is now Charlotte’s nursery school teacher. Nina returns to the house without windows.
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Sandra and Pete elope but their marriage is invalid since she’s not yet divorced. Sandra is, however, pregnant by Pete. Pete marries his former fiancée Maggie, then flies to South America where his plane crashes. Maggie pays Sandra to let her adopt Pete’s baby. Pete returns “from the dead”. Sandra and Maggie contend for Pete and the baby.
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A teenage summer in a small town in the desert, a dysfunctional family, a rock band, a can full of glue, two boys, one girl, loads of tongue kisses, dry heat, wind in Patagonia, existential angst… A teenage story in the middle of nowhere.
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A father and daughter are reunited some 11 years after the father’s drug addiction tore the family apart.
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Lawyer Stephen Blume, specialized in divorces, lives a paradoxical situation when, having his own marriage break up, is still in love with his ex-wife.
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Earning his keep at a photography studio where he also sleeps, an orphan aspires to be closer to the object of his affection, an older girl from a higher social class.
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Another in the long line of the Trials-and-Tribulations (compounded by Misery and Irony) offerings from Hugo Haas. This time out his character, Marko (Hugo Haas, is searching for a lost gold mine with his young partner Ray Brighton (‘John Agar’ )qv)) and, despite the fact that Haas appears no more at home playing a prospector than Raymond Hatton would playing a Bulgarian diplomat, they find the mine. But Marko decides he doesn’t want to share with his partner and figures out a devious and complicated scheme to get rid of him. (Shooting him in the head and burying him in the desert is far too simple a solution in a Haas film.) So, Marko ups and marries buxom young Peggy (Cleo Moore) as a marriage of convenience, even though past experience would indicate any involvement with a character played by Cleo Moore would not be described as anything close to convenience.
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Áurea arrives at a town in the dunes of State of Maranhão, Brazil, in 1910, having for female company only her mother Maria. She is pregnant and wants a way out of that arid place. But leaving is difficult and, somehow, she still hopes to find happiness there. The film follows these two lives for three generations, including Áurea’s daughter.
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