Crime

Fuck me! / Baise-moi (2000) Virginie Despentes, Coralie, Raffaëla Anderson, Karen Lancaume, Céline Beugnot, Crime, Drama, Thriller

fuck-me-2000
Manu and Nadine lose their last tenuous relationship with main-stream society when Manu gets raped and Nadine sees her only friend being shot. After a chance encounter, they embark on an explosive journey of sex and murder. Perhaps as a revenge against men, perhaps as a revolt against bourgeois society, but certainly in a negation – almost joyful in its senseless violence – of all the codes of a society which has excluded, raped and humiliated them. Controversial for its violence and real sex scenes: a vividly nihilist road movie set in France.
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Outrage (1950) Ida Lupino, Mala Powers, Tod Andrews, Robert Clarke, Crime, Drama, Film-Noir

Outrage (1950)
A young girl is raped while coming home from work. The trauma of the attack turns her away from her parents and her fiancé, and, unable to face society, she runs away and, using an assumed name, takes a job on an orange ranch. A young clergyman takes an interest in her, although she won’t confide in him. When a ranch hand tries to kiss her, she relives her terrifying experience and nearly kills him. She is arrested but when her identity is established and the facts of her case are brought forth, the clergyman convinces the court that it is society that should shoulder the blame. He helps rebuild her faith and send her back to her parents and fiancé.
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Dead Pigeon on Beethoven Street (1973) Samuel Fuller, Glenn Corbett, Christa Lang, Sieghardt Rupp, Crime, Thriller

Dead Pigeon on Beethoven Street (1973)
Following Shark!, Sam Fuller’s luck getting films funded didn’t change much; Dead Pigeon on Beethoven Street is Fuller’s only film of the ’70s. Technically, it’s not even a proper film, but if you didn’t know it was made as an episode of the German cop series Tatort (which is amazingly still running), you’d never have guessed it. Where American television stifled Fuller’s creative spirit and made him conform to the norms of whatever show he was working on, the producers of Tatort allowed Fuller the freedom to make whatever he wanted. He took this freedom and ran with it, crafting a unique, exciting picture unlike anything else in the Fuller catalog. Part crime thriller, part farcical comedy, Dead Pigeon on Beethoven Street is a hidden gem in Fuller’s filmography.
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Le Voyou / The Crook (1970) Claude Lelouch, Jean-Louis Trintignant, Danièle Delorme, Charles Gérard, Crime, Thriller

Le Voyou AKA The Crook (1970)
When Simon (Jean-Louis Trintignant) is released from prison, he emerges with a bold kidnapping scheme. He enlists the help of an old cohort and his former lover, Martine (Christine Lelouch), to kidnap a young boy. The child’s father is an employee at a bank, and the three criminals blackmail the financial institution, demanding $1 million in ransom. Out of fear, the bank pays the sum, but the kidnappers may have bitten off more than they can chew.
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Deep Trap / Ham-jeong (2015) Hyeong-jin Kwon, Ji An, Han Sun Jo, Dong-seok Ma, Crime, Horror, Thriller

Deep Trap (2015)
Despite her will to become a mother, So Yeon cannot achieve her goal because of her husband’s uncooperative behavior. Even though he showed her no response, she tried many ways to reach pregnancy. Knowing her mind, her husband feels guilty for not being able to do anything more and then try to stay away from her and his remorseful conscience. As a last resort, So yeon finds an isolated restaurant on an isolated island. With the help of the restaurant’s owner, she draws a plan for her husband…
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The Glass Key (1942) Stuart Heisler, Alan Ladd, Veronica Lake, Brian Donlevy, Crime, Drama, Film-Noir

The Glass Key (1942)
In this slick updating of Dashiell Hammet’s crime novel, political boss Paul Madvig (Brian Donlevy) falls for reform politician Ralph Henry’s attractive daughter Janet (Veronica Lake), despite the caution of his best friend, Ed Beaumont (Alan Ladd). Paul’s efforts to disassociate himself from the criminal underworld backfire, however, when he is accused of murdering Janet’s disreputable brother, and a casino owner Paul had offended sends his sadistic thugs after Ed in revenge.
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The Walls Came Tumbling Down (1946) Lothar Mendes, Lee Bowman, Marguerite Chapman, Edgar Buchanan, Action, Adventure, Crime, Mystery, Romance

The Walls Came Tumbling Down (1946)
The Columbia mystery melodrama The Walls Came Tumbling Down is regarded in many circles as star Lee Bowman’s finest hour-and-a-half. Bowman is cast as Winchellesque Broadway columnist Gilbert Archer, who insists upon investigating the death of an old friend, a priest. The police insist that the priest hanged himself, but Archer believes otherwise, and together with Boston socialite Patricia Foster (Marguerite Chapman) he begins to play detective – though “play” is hardly the word. Key ingredients to the mystery are two rare Bibles and a painting of the fall of Jericho. The principal villainy comes at the grubby hands of Columbia contractees George Macready and Edgar Buchanan, while J. Edward Bromberg has a few amusing moments as a kooky art dealer.
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Plein soleil / Purple Noon (1960) René Clément, Alain Delon, Maurice Ronet, Marie Laforêt, Crime, Drama, Thriller

Plein soleil AKA Purple Noon (1960)
Tom Ripley is sent to Europe by Mr. Greenleaf to fetch his spoiled, playboy son, Philippe, and bring him back home to the States. In return, Tom will receive $5,000. Philippe toys with Tom, pretending he will go back home, but has no intentions of leaving his bride to be, Marge, and honoring his father’s wishes. After some time passes, Mr. Greenleaf considers the mission a failure and cuts Tom off. Tom, in desperation, kills Philippe, assumes his identity, and lives the life of a rich playboy. However, he will need all his conman abilities to keep Philippe’s friends and the police off the trail.
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Kyua / Cure (1997) Kiyoshi Kurosawa, Masato Hagiwara, Kôji Yakusho, Tsuyoshi Ujiki, Crime, Horror, Mystery

Kyua AKA Cure (1997)
A wave of gruesome murders is sweeping Tokyo. The only connection is a bloody X carved into the neck of each of the victims. In each case, the murderer is found near the victim and remembers nothing of the crime. Detective Takabe and psychologist Sakuma are called in to figure out the connection, but their investigation goes nowhere. An odd young man is arrested near the scene of the latest murder, who has a strange effect on everyone who comes into contact with him. Detective Takabe starts a series of interrogations to determine the man’s connection with the killings.
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