Biography

Blossoms in the Dust (1941) Mervyn LeRoy, Greer Garson, Walter Pidgeon, Felix Bressart, Biography, Drama, Romance

Blossoms in the Dust (1941)
Edna marries Texan Sam Gladney, operator of a wheat mill. Edna discovers by chance how the law treats children who are without parents and decides to do something about it. She opens a home for foundlings and orphans and begins to place children in good homes, despite the opposition of “conservative” citizens, who would condemn illegitimate children for being born out of wedlock. Eventually Edna leads a fight in the Texas legislature to remove the stigma of illegitimacy from birth records in that state, while continuing to be an advocate for homeless children.

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Francesco, giullare di Dio / The Flowers of St. Francis (1950) Roberto Rossellini, Aldo Fabrizi, Gianfranco Bellini, Peparuolo, Biography, History, Drama

Francesco, giullare di Dio (1950)
The film dramatizes about a dozen vignettes from the life of St. Francis and his early followers – starting with their return in the rain to Rivotorlo from Rome when the Pope blessed their Rule and ending with their dispersal to preach. The unconnected chapters are like parables, some with a moral. The slight and comic Ginepro returns naked to St. Mary’s of the Angels, having given away his tunic, but not his ricotta. The aged Giovanni shouts and holds onto his cape; the beatific St. Clair pays a visit. Humble Francis doubts his leadership, hugs a leper, and sends his brothers spinning, dizzy, and smiling into the world. This brotherhood is infused with whimsy as well as belief.

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Enskilda samtal / Private Confessions (1996) Liv Ullmann, Pernilla August, Max von Sydow, Samuel Fröler, Biography, Drama

Enskilda samtal (1996)
Five conversations frame a flawed marriage in this film written by Ingmar Bergman about his parents. Guilt-ridden wife Anna (Pernilla August) divulges an extramarital affair to a priest, her uncle Jacob (Max von Sydow). He presses her to confess her sins to her husband, Henrik. As the film moves back and forth in time, the notion of truth is tested. Tomas, the lover, and Henrik will find that Anna’s confessions do not absolve anyone, and have the power to inflict more pain.

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